Timeline for Is there a Relative Pitch Clef?
Current License: CC BY-SA 3.0
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| May 29, 2014 at 21:21 | comment | added | B. Szonye | @jj And it also expresses harmony in terms of abstract intervals rather than specific notes for each voice, much like the question asks for. Perhaps compromise is the wrong word for it, but it does seem to be partly in the spirit of what the OP wants. | |
| May 29, 2014 at 21:06 | comment | added | jjmusicnotes | @BraddSzonye - I completely disagree with you here. Figured bass is not a compromise - it was a short-hand used primarily in the Baroque period for the continuo to realize the harmony to support the melody. If anything, it may be considered a predecessor of macro-analytical notation used in lead sheets and jazz charts used by contemporary musicians. | |
| May 29, 2014 at 19:52 | history | edited | Dom♦ | CC BY-SA 3.0 |
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| May 29, 2014 at 17:45 | comment | added | B. Szonye | You might want to mention figured bass notation as it's kind of a compromise between using a conventional staff and Roman numeral notation. Good answer! | |
| May 29, 2014 at 16:57 | history | edited | Dom♦ | CC BY-SA 3.0 |
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| May 29, 2014 at 0:53 | history | edited | Bob Broadley | CC BY-SA 3.0 |
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| May 29, 2014 at 0:50 | history | answered | Dom♦ | CC BY-SA 3.0 |