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Feb 4, 2018 at 10:09 answer added user47844 timeline score: 0
Jul 7, 2014 at 8:11 answer added B. Szonye timeline score: 3
Jul 6, 2014 at 20:52 vote accept Lee White
Jul 6, 2014 at 19:51 answer added User12423 timeline score: 4
Jul 5, 2014 at 8:19 history tweeted twitter.com/#!/StackMusic/status/485337208040488960
Jul 4, 2014 at 12:00 history edited Lee White CC BY-SA 3.0
deleted 6 characters in body
Jul 3, 2014 at 23:01 comment added corsiKa The best part of power chords is dropping the low e string to a d string. You literally just place your finger on the dots and strum and BLAM instant rock star. Plus, since it's such an easy fingering, your bassist doesn't have to bug you about what note to play. HE is playing on the dots TOO! It's a win-win situation all around.
Jul 3, 2014 at 16:18 comment added 11684 A major fifth does not exist. Fifths and octaves can't be major or minor (so fourths and primes neither).
Jul 3, 2014 at 15:07 comment added leftaroundabout Note that thirds can actually sound great through distortion. Unfortunately, 12-edo has blessed us with thirds which are rather far off from just intonation; it's mainly this difference that makes full chords so messy through distortion. In Bohlen-Pierce tuning (which is pretty weird because it has no octaves, but has much more precise third and harmonic-seventh intervals) even 7th chords sound pretty amazing distorted.
Jul 3, 2014 at 14:51 answer added Kirk A timeline score: 5
Jul 3, 2014 at 12:53 answer added cyco130 timeline score: 21
Jul 3, 2014 at 8:32 comment added user2808054 lol you get that thing where you're begging to hear a 3rd .. somewhere. . anywhere ..
Jul 3, 2014 at 8:29 answer added user2808054 timeline score: 3
Jul 3, 2014 at 8:24 answer added Tim timeline score: 9
Jul 3, 2014 at 7:44 history asked Lee White CC BY-SA 3.0