Timeline for Why can I sing in key?
Current License: CC BY-SA 3.0
9 events
| when toggle format | what | by | license | comment | |
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| Jul 28, 2014 at 6:03 | vote | accept | CommunityBot | ||
| Jul 26, 2014 at 18:45 | history | tweeted | twitter.com/#!/StackMusic/status/493104751018790912 | ||
| Jul 26, 2014 at 18:41 | answer | added | TaylorSwiftFan5932 | timeline score: 14 | |
| Jul 26, 2014 at 16:35 | history | edited | user12539 | CC BY-SA 3.0 |
clarified the question; deleted 68 characters in body
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| Jul 26, 2014 at 16:34 | comment | added | Bob Broadley | Hello again! This question is a little different to yours, but is related; thought it might be of interest: music.stackexchange.com/questions/3/why-do-minor-keys-sound-sad | |
| Jul 26, 2014 at 16:30 | comment | added | Bob Broadley | With regard to perfect/relative pitch, have a look at these links: music.stackexchange.com/questions/4061/… music.stackexchange.com/questions/16575/… music.stackexchange.com/questions/20302/… | |
| Jul 26, 2014 at 16:30 | comment | added | user12539 | @BobBroadley I don't know if the perfect/relative pitch is a question. mu intention is more: given I don't have perfect pitch, why can I still sing in key? | |
| Jul 26, 2014 at 16:25 | comment | added | Bob Broadley | You've really got two questions here. One is about relative/perfect pitch (remembering pitches, or just "knowing" pitches automatically); the other is about being able to sing scales without hearing all of its pitches first. | |
| Jul 26, 2014 at 16:20 | history | asked | user12539 | CC BY-SA 3.0 |