Timeline for Single reed mouthpieces: How do Facing Lengths, Tip Openings, and Chamber Sizes affect playing?
Current License: CC BY-SA 3.0
9 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Jan 4, 2015 at 1:38 | vote | accept | Chris | ||
| Jan 4, 2015 at 1:17 | answer | added | M Witt | timeline score: 7 | |
| Nov 17, 2014 at 23:31 | comment | added | Iain Duncan | This is, to be honest, a very big question. The best brief online resource that I've found for this is Theo Wanne's site, under the knowledge section. theowanne.com/knowledge/mouthpiece-facings | |
| Aug 29, 2014 at 23:01 | history | tweeted | twitter.com/#!/StackMusic/status/505490569674903553 | ||
| Aug 24, 2014 at 23:05 | comment | added | Chris | @CarlWitthoft - I realise that's a big part of it, but I'm not particularly looking at buying, I'm happy with what I have. I'm just interested in what all of specifications mean. | |
| Aug 24, 2014 at 11:19 | review | Close votes | |||
| Aug 24, 2014 at 14:12 | |||||
| Aug 24, 2014 at 11:03 | comment | added | Carl Witthoft | That's really only part of the story. Yes, more gap leads to more sound power, but matching a mouthpiece to your embouchure (as well as your axe) is what matters. You gotta play on the mouthpieces to figure out which one(s) work for you. | |
| Aug 23, 2014 at 19:21 | history | edited | Pat Muchmore | CC BY-SA 3.0 |
edited title
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| Aug 23, 2014 at 14:35 | history | asked | Chris | CC BY-SA 3.0 |