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Dom
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ThereFor this, we'll just look at examples in 12 tone Equal Temperament, where are 12 unique notes that repeat every octave. A majority of scales in music contain 7 notes. Each scale degree gets a letter from A to G based on the root of the scale and type of scale. The naming convention for the 12 notes makes the C major scale have no accidentals in it. Using the scale pattern for major the C Major scale has the notes C,D,E,F,G,A,B,C and can be seen below.

Typically someone will write the enharmonic equivalent of Bbb (A) to avoid someone reading double flats.


The above is show within the context of Equal Temperament, but the idea is the same if not more important in other temperaments. The only difference is that in other temperaments is not all the harmonic equivalents used above are the same frequency so the distinction is much more important as writing for example an A♯ vs a B♭ will sound different.

There are 12 unique notes that repeat every octave. A majority of scales in music contain 7 notes. Each scale degree gets a letter from A to G based on the root of the scale and type of scale. The naming convention for the 12 notes makes the C major scale have no accidentals in it. Using the scale pattern for major the C Major scale has the notes C,D,E,F,G,A,B,C and can be seen below.

Typically someone will write the enharmonic equivalent of Bbb (A) to avoid someone reading double flats.

For this, we'll just look at examples in 12 tone Equal Temperament, where are 12 unique notes that repeat every octave. A majority of scales in music contain 7 notes. Each scale degree gets a letter from A to G based on the root of the scale and type of scale. The naming convention for the 12 notes makes the C major scale have no accidentals in it. Using the scale pattern for major the C Major scale has the notes C,D,E,F,G,A,B,C and can be seen below.

Typically someone will write the enharmonic equivalent of Bbb (A) to avoid someone reading double flats.


The above is show within the context of Equal Temperament, but the idea is the same if not more important in other temperaments. The only difference is that in other temperaments is not all the harmonic equivalents used above are the same frequency so the distinction is much more important as writing for example an A♯ vs a B♭ will sound different.

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The reason there are multiple names for notes is that the same note may function differently in different contexts. If you just play a single note with no context, then it could have a multitude of different names. For example if you played the note in between F and G you could call it F# or Gb or more obscurely E##E## or Abbb. They are all valid names and are referred to as enharmonic equivalents, but if you gave more context like you were playing the G major scale or playing a Db minor chord certain note names would make more sense. Typically notes are named based on the scale, chord or interval they are in.

There are 12 unique notes12 unique notes that repeat every octave. A majority of scales in music contain 7 notescontain 7 notes. Each scale degree gets a letter from A to G based on the root of the scale and type of scale. The naming convention for the 12 notes makes the C major scale have no accidentals in it. Using the scale pattern for major the C Major scale has the notes C,D,E,F,G,A,B,C and can be seen below.

The reason there are multiple names for notes is that the same note may function differently in different contexts. If you just play a single note with no context, then it could have a multitude of different names. For example if you played the note in between F and G you could call it F# or Gb or more obscurely E## or Abbb. They are all valid names and are referred to as enharmonic equivalents, but if you gave more context like you were playing the G major scale or playing a Db minor chord certain note names would make more sense. Typically notes are named based on the scale, chord or interval they are in.

There are 12 unique notes that repeat every octave. A majority of scales in music contain 7 notes. Each scale degree gets a letter from A to G based on the root of the scale and type of scale. The naming convention for the 12 notes makes the C major scale have no accidentals in it. Using the scale pattern for major the C Major scale has the notes C,D,E,F,G,A,B,C and can be seen below.

The reason there are multiple names for notes is that the same note may function differently in different contexts. If you just play a single note with no context, then it could have a multitude of different names. For example if you played the note in between F and G you could call it F# or Gb or more obscurely E## or Abbb. They are all valid names and are referred to as enharmonic equivalents, but if you gave more context like you were playing the G major scale or playing a Db minor chord certain note names would make more sense. Typically notes are named based on the scale, chord or interval they are in.

There are 12 unique notes that repeat every octave. A majority of scales in music contain 7 notes. Each scale degree gets a letter from A to G based on the root of the scale and type of scale. The naming convention for the 12 notes makes the C major scale have no accidentals in it. Using the scale pattern for major the C Major scale has the notes C,D,E,F,G,A,B,C and can be seen below.

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Tim
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They sound the same, but they function differently. ThisThese intervals are the building blocks of many chords and whether a note is a 3rd or 2nd away makes a difference.

Chords are a collection of 2 or more notes (usually at least 3) and typically they are built in 3rds. The intervals between each of the root note and the other notes is how the chord is named. For example a C minor chord has the notes C, Eb, and G in it which means the notes. From the C to the Eb is a minor 3rd and the C to the G is a perfect 5th.

It is not easy to see that the D# is acting as the 3rd of the C minor chord because it looks like a second. If there are double flats or sharps in a score most likely it is to show what a certain note is functioning as in a chord. For example a C fully diminished chord is spelled C, Eb, GbmGb, Bbb and consists of a root, minor 3rd, diminished 5th, and diminished 7th.

They sound the same, but they function differently. This intervals are the building blocks of many chords and whether a note is a 3rd or 2nd away makes a difference.

Chords are a collection of 2 or more notes (usually at least 3) and typically they are built in 3rds. The intervals between each of the root note and the other notes is how the chord is named. For example a C minor chord has the notes C, Eb, and G in it which means the notes. From the C to the Eb is a minor 3rd and the C to the G is a perfect 5th.

It is not easy to see that the D# is acting as the 3rd of the C minor chord because it looks like a second. If there are double flats or sharps in a score most likely it is to show what a certain note is functioning as in a chord. For example a C fully diminished chord is spelled C, Eb, Gbm, Bbb and consists of a root, minor 3rd, diminished 5th, and diminished 7th.

They sound the same, but they function differently. These intervals are the building blocks of many chords and whether a note is a 3rd or 2nd away makes a difference.

Chords are a collection of 2 or more notes (usually at least 3) and typically they are built in 3rds. The intervals between each of the root note and the other notes is how the chord is named. For example a C minor chord has the notes C, Eb, and G in it. From the C to the Eb is a minor 3rd and the C to the G is a perfect 5th.

It is not easy to see that the D# is acting as the 3rd of the C minor chord because it looks like a second. If there are double flats or sharps in a score most likely it is to show what a certain note is functioning as in a chord. For example a C fully diminished chord is spelled C, Eb, Gb, Bbb and consists of a root, minor 3rd, diminished 5th, and diminished 7th.

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