Timeline for What are some techniques to control feedback in a musical setting?
Current License: CC BY-SA 2.5
19 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Nov 10, 2019 at 9:40 | answer | added | Richard D Riley | timeline score: 0 | |
| Jan 4, 2018 at 20:36 | answer | added | jesse | timeline score: 0 | |
| Nov 23, 2017 at 20:45 | comment | added | jberryman | What works for me, even with a very quiet amp: compression pedal (optionally having some effects after the compressor that manipulate or enrich harmonics like distortion or slow modulation effects), turn up amp gain , pluck or strum very lightly (this is crucial; obviously if the string is vibrating with a lot of energy it's not going to easily start oscillating in complex ways), experiment with position relative to speakers. | |
| Oct 19, 2016 at 0:28 | answer | added | oberdada | timeline score: 0 | |
| Oct 16, 2016 at 18:41 | answer | added | user34041 | timeline score: -2 | |
| Jan 18, 2015 at 23:08 | history | tweeted | twitter.com/#!/StackMusic/status/556951179562086403 | ||
| Dec 14, 2014 at 5:16 | comment | added | user16796 | Hendrix control of feedback was uncanny watch how he controls the feedback at the 1967 Monterey festival at the beginning of playing the troggs "wild thing" | |
| Jun 10, 2014 at 15:00 | history | edited | Doktor Mayhem♦ |
edited tags
|
|
| May 13, 2014 at 11:20 | answer | added | user2808054 | timeline score: 2 | |
| May 13, 2014 at 7:56 | answer | added | Meaningful Username | timeline score: 3 | |
| Feb 22, 2011 at 19:46 | answer | added | Doktor Mayhem♦ | timeline score: 4 | |
| Feb 14, 2011 at 17:10 | answer | added | Brian Ortiz | timeline score: 5 | |
| Feb 11, 2011 at 0:27 | answer | added | Dave Jacoby | timeline score: 3 | |
| Jan 25, 2011 at 0:13 | comment | added | Anonymous | If you watch some of Santana's videos you'll see him turn and freeze to lock in a note. Distance affects the frequency as does volume. Natural harmonics (octave, 2nd octave, fifth above that) are jumps you can control pretty easy, especially if you use artificial harmonics to encourage the pitch change. | |
| Jan 24, 2011 at 23:01 | answer | added | AbstractDissonance | timeline score: 3 | |
| Jan 24, 2011 at 22:36 | answer | added | arin sarkissian | timeline score: -2 | |
| Jan 24, 2011 at 18:27 | comment | added | Jduv | I remember a G3 video with Steve Vai where he taped large X's on the floor at different points on the stage. At one point he was feeding back and he stepped from point to point and the tone of the feedback changed, so it leads me to believe that there may be some property of feedback that can be taken advantage of--possibly related to harmonics. I'll research this a little bit and see if I can uncover something cool. | |
| Jan 24, 2011 at 18:05 | answer | added | yossarian | timeline score: 16 | |
| Jan 24, 2011 at 17:54 | history | asked | JustnBeaver | CC BY-SA 2.5 |