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Mar 12, 2015 at 11:56 comment added Matt L. @Mr.Boy: Thanks, good to know that what you intended was what I heard. I strongly believe that it's always the ears coming first, then the theory (which is always descriptive and can never be prescriptive).
Mar 12, 2015 at 9:51 comment added Mr. Boy @MattL. I really struggled who to mark as correct and award the bounty to between Matt and Shevliaskovic as they come from different angles and both seem totally credible. I ended up feeling this one was closer to my intent.
Mar 12, 2015 at 9:48 history bounty ended Mr. Boy
Mar 12, 2015 at 9:48 vote accept Mr. Boy
Mar 6, 2015 at 18:44 comment added dennisdeems This answer makes the best sense of the musical excerpt provided. Two tonal just means we modulate from one key to another, and this is not at all uncommon.
Mar 4, 2015 at 17:04 comment added Matt L. @Mr.Boy: Two tonal centers definitely means that it's tonal (otherwise there wouldn't even be one tonal center). If I were to score it, I'd write it in A major. I guess your ideas for the chorus neither support nor weaken my feeling about the chorus. It is probably also in A (well, 'support' then ...), with the B chord being a secondary dominant leading back to E (the V). But this is just speculative because I don't know your melody etc.
Mar 4, 2015 at 16:11 comment added Mr. Boy For what it's worth I was playing with some ideas for a chorus and found that things like E - Bm - A - E and even E - Bm - A - B worked well... meaning we have minor and major versions of E and possibly B. Does that support or weaken your answer?
Mar 4, 2015 at 16:09 comment added Mr. Boy While I understand each thing you say, that level of theory is just a bit beyond my normal level in that I'm not sure what the conclusion is... does "two tonal centres" mean it is key-less/atonal? If what I played - the picking pattern - was being scored how would you accomplish this?
Mar 4, 2015 at 15:58 history answered Matt L. CC BY-SA 3.0