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In key, that B should be played as a Bb. The G# will be Ab. Now, all the chords come from C minor. The numbers for them are Cm=I. D=II. Eb=III. Fm=IV. G=V. Ab=VI. Bb=VII. I've put Roman numerals in caps for simplicity.

Now the sequence is - I, IV, V, I; I, IV, VII, III; IV, V, I, VI; IV, V, VI, V; I.

I, IV, V, I;     I, IV, VII, III;      IV, V, I, VI;     IV, V, VI, V;    I.

Just about any key will give at least one problematic chord, but now, you can use the formula to find the chords in any key. A minor wouldn't be too bad, with Am B C Dm E F and G. Em would work, with Em F# G Am B and C. But there is always going to be an awkward to play chord somewhere. Using barres totally will make playing easier - but only if you play barre chords well.

Why can't I put spaces that stay spaces in my draft??

In key, that B should be played as a Bb. The G# will be Ab. Now, all the chords come from C minor. The numbers for them are Cm=I. D=II. Eb=III. Fm=IV. G=V. Ab=VI. Bb=VII. I've put Roman numerals in caps for simplicity.

Now the sequence is - I, IV, V, I; I, IV, VII, III; IV, V, I, VI; IV, V, VI, V; I.

Just about any key will give at least one problematic chord, but now, you can use the formula to find the chords in any key. A minor wouldn't be too bad, with Am B C Dm E F and G. Em would work, with Em F# G Am B and C. But there is always going to be an awkward to play chord somewhere. Using barres totally will make playing easier - but only if you play barre chords well.

Why can't I put spaces that stay spaces in my draft??

In key, that B should be played as a Bb. The G# will be Ab. Now, all the chords come from C minor. The numbers for them are Cm=I. D=II. Eb=III. Fm=IV. G=V. Ab=VI. Bb=VII. I've put Roman numerals in caps for simplicity.

Now the sequence is -

I, IV, V, I;     I, IV, VII, III;      IV, V, I, VI;     IV, V, VI, V;    I.

Just about any key will give at least one problematic chord, but now, you can use the formula to find the chords in any key. A minor wouldn't be too bad, with Am B C Dm E F and G. Em would work, with Em F# G Am B and C. But there is always going to be an awkward to play chord somewhere. Using barres totally will make playing easier - but only if you play barre chords well.

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Tim
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In key, that B should be played as a Bb. The G# will be Ab. Now, all the chords come from C minor. The numbers for them are Cm=I. D=II. Eb=III. Fm=IV. G=V. Ab=VI. Bb=VII. I've put Roman numerals in caps for simplicity.

Now the sequence is - I, IV, V, I; I, IV, VII, III; IV, V, I, VI; IV, V, VI, V; I.

Just about any key will give at least one problematic chord, but now, you can use the formula to find the chords in any key. A minor wouldn't be too bad, with Am B C Dm E F and G. Em would work, with Em F# G Am B and C. But there is always going to be an awkward to play chord somewhere. Using barres totally will make playing easier - but only if you play barre chords well.

Why can't I put spaces that stay spaces in my draft??