Timeline for B - F - A chord in the key of C major
Current License: CC BY-SA 3.0
7 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Jan 2, 2016 at 2:59 | review | Suggested edits | |||
| Jan 2, 2016 at 3:17 | |||||
| Dec 28, 2015 at 16:57 | answer | added | Caleb Hines | timeline score: 4 | |
| Dec 28, 2015 at 15:53 | history | edited | Dom♦ | CC BY-SA 3.0 |
deleted 41 characters in body; edited tags; edited title
|
| Dec 28, 2015 at 15:44 | history | edited | user20754 | CC BY-SA 3.0 |
with photo
|
| Dec 27, 2015 at 23:01 | answer | added | Victor Trejo | timeline score: 0 | |
| Dec 27, 2015 at 22:21 | comment | added | user16935 | No, Schytte probably wouldn't have considered (or really used) a B-F-A agglomeration as a chord: he would have considered one or more of the notes as non-harmonic (i.e., an auxiliary or appoggiatura or accented passing tone). Can you print-screen the passage, or give us more info as to where it can be found (which publication, which page)? | |
| Dec 27, 2015 at 20:14 | history | asked | user20754 | CC BY-SA 3.0 |