Skip to main content
Music: Practice & Theory

Return to Answer

edited body
Source Link
No'am Newman
No'am Newman
  • 1.7k
  • 1
  • 12
  • 13

Another example of when E# has to be E# and not F: when playing an A augmented chord. This naming shows that the E of the A chord has been augmentedsharpened (A C# E#). Writing F (instead of E#) would indicate that the chord is F aug - F A C#.

The notes may sound the same but they have different meanings.

Another example of when E# has to be E# and not F: when playing an A augmented chord. This naming shows that the E of the A chord has been augmented (A C# E#). Writing F (instead of E#) would indicate that the chord is F aug - F A C#.

The notes may sound the same but they have different meanings.

Another example of when E# has to be E# and not F: when playing an A augmented chord. This naming shows that the E of the A chord has been sharpened (A C# E#). Writing F (instead of E#) would indicate that the chord is F aug - F A C#.

The notes may sound the same but they have different meanings.

Source Link
No'am Newman
No'am Newman
  • 1.7k
  • 1
  • 12
  • 13

Another example of when E# has to be E# and not F: when playing an A augmented chord. This naming shows that the E of the A chord has been augmented (A C# E#). Writing F (instead of E#) would indicate that the chord is F aug - F A C#.

The notes may sound the same but they have different meanings.