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lauir
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Adding to the narrative in other answers, here is a chart that might help further explain why brass players tend to prefer sheet music written in keys with flats. As seenis shown, written keys that exclude the “worst-to-play usual notes” (elaborated below) on common brass instruments (except French horn) are overwhelmingly keys with flats. This is especially true for almost all lower-brass parts, in which even the written-and-concert key of C, with no flats, includes the worst-to-play notes for all but C tuba and triggered trombone.

The specific keys mentioned in the question as being equally playable on B♭ trumpet— writtentrumpet—written keys E and A♭ — serve—serve well to demonstrate this chart. The row for B♭ trumpet recognizes the note scored as C♯ or D♭ as the most troublesome to play, so keys with at most 1 sharp or 3 flats are likely to be favored because they exclude C♯/D♭. The aforementioned keys of E and A♭ contain A♭, however, contain 4 sharps sharps and 4 flats flats, respectively, and thus include C♯/D♭ and are equally disfavored here because they. include the trumpet's worst-to-play noteIf you are comfortable with music in these keys, scored as C♯ oryou are no doubt an experienced musician. Not only are both keys relatively difficult to play but trumpet music in A♭ (concert key D♭G♭) is also quite rare.

                                                                   Written keys WITHOUT
                                                Worst-to-play         worst-to-play
  Name of        Version of      Open key         usual note           usual note
 instrument      instrument    ------------    ----------------     ------------------
  on score       considered    Con-   Writ-    Writ-   Fingers Valves/     How many  How many
                               cert    ten      ten    position      sharps    flats

F French horn      4-rotorvalve      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3

“Worst-to-play usual note” is an ad hoc designation likely to find agreement among many players due to some of these factors:
The note is in the range usually scored for the instrument.
With 3 valves but no fingered slide, timbre is compromised when a note is lipped into tune.
With 3 valves and a fingered tuning slide, coordinating the slide quickly is difficult.
With an in-line 4th valve, pinkie-vs-ring-finger agility is anatomically limitedhampered.
With a leftan opposite-hand 4th valve, coordinating the hands quickly is difficult.
On a trombone, a quick slide excursion is a gymnastic feat.
French horn players have a right to complain as welltoo.
Admittedly:
Almost-worst notes and convenientSome fingering/position sequences and almost-worst notes play circumstantial roles as well.
Some rarer fingerings/positions are worse than those shown, but tend to also avoid flat keys.
A trombone's 7th position is the worst of the worst. An F attachment/trigger alleviates this.
As French horn is typically scoredplays high in theits range, its usual worst fingering isn't very badis relatively benign.

Have a differentanother usual note that you least favor? Anotheror instrument that would help to mention? Please comment or edit.

Adding to the narrative in other answers, here is a chart that might help further explain why brass players tend to prefer sheet music written in keys with flats. As seen, written keys that exclude the “worst-to-play usual notes” (elaborated below) on common brass instruments (except French horn) are overwhelmingly keys with flats. This is especially true for almost all lower-brass parts, in which even the written-and-concert key of C, with no flats, includes the worst-to-play notes for all but C tuba and triggered trombone.

The specific keys mentioned in the question as being equally playable on B♭ trumpet— written keys E and A♭ — serve well to demonstrate this chart. The keys of E and A♭ contain 4 sharps and 4 flats, respectively, and are equally disfavored here because they include the trumpet's worst-to-play note, scored as C♯ or D♭.

                                                                   Written keys WITHOUT
                                                Worst-to-play         worst-to-play
  Name of        Version of      Open key         usual note           usual note
 instrument      instrument    ------------    ----------------     ------------------
  on score       considered    Con-   Writ-    Writ-   Fingers/     How many  How many
                               cert    ten      ten    position      sharps    flats

F French horn      4-rotor      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3

“Worst-to-play usual note” is an ad hoc designation likely to find agreement among many players due to some of these factors:
The note is in the range usually scored for the instrument.
With 3 valves but no fingered slide, timbre is compromised when a note is lipped into tune.
With 3 valves and a fingered tuning slide, coordinating the slide quickly is difficult.
With an in-line 4th valve, pinkie-vs-ring-finger agility is anatomically limited.
With a left-hand 4th valve, coordinating the hands quickly is difficult.
On a trombone, a quick slide excursion is a gymnastic feat.
French horn players have a right to complain as well.
Admittedly:
Almost-worst notes and convenient fingering/position sequences play circumstantial roles as well.
Some rarer fingerings/positions are worse than those shown, but tend to also avoid flat keys.
A trombone's 7th position is the worst of the worst. An F attachment/trigger alleviates this.
As French horn is typically scored high in the range, its usual worst fingering isn't very bad.

Have a different usual note that you least favor? Another instrument that would help to mention? Please comment or edit.

Adding to the narrative in other answers, here is a chart that might help further explain why brass players tend to prefer sheet music written in keys with flats. As is shown, written keys that exclude the “worst-to-play usual notes” (elaborated below) on common brass instruments (except French horn) are overwhelmingly keys with flats. This is especially true for almost all lower-brass parts, in which even the written-and-concert key of C, with no flats, includes the worst-to-play notes for all but C tuba and triggered trombone.

The specific keys mentioned in the question as being equally playable on B♭ trumpet—written keys E and A♭ —serve well to demonstrate this chart. The row for B♭ trumpet recognizes the note scored as C♯ or D♭ as the most troublesome to play, so keys with at most 1 sharp or 3 flats are likely to be favored because they exclude C♯/D♭. The aforementioned keys of E and A♭, however, contain 4 sharps and 4 flats, respectively, and thus include C♯/D♭ and are equally disfavored here. If you are comfortable with music in these keys, you are no doubt an experienced musician. Not only are both keys relatively difficult to play but trumpet music in A♭ (concert key G♭) is also quite rare.

                                                                   Written keys WITHOUT
                                                Worst-to-play         worst-to-play
  Name of        Version of      Open key         usual note           usual note
 instrument      instrument    ------------    ----------------     ------------------
  on score       considered    Con-   Writ-    Writ-    Valves/     How many  How many
                               cert    ten      ten    position      sharps    flats

F French horn      4-valve      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3

“Worst-to-play usual note” is an ad hoc designation likely to find agreement among many players due to some of these factors:
The note is in the range usually scored for the instrument.
With 3 valves but no fingered slide, timbre is compromised when a note is lipped into tune.
With 3 valves and a fingered tuning slide, coordinating the slide quickly is difficult.
With an in-line 4th valve, pinkie-vs-ring-finger agility is anatomically hampered.
With an opposite-hand 4th valve, coordinating the hands quickly is difficult.
On a trombone, a quick slide excursion is a gymnastic feat.
French horn players have a right to complain too.
Admittedly:
Some fingering/position sequences and almost-worst notes play circumstantial roles as well.
Some rarer fingerings/positions are worse than those shown, but tend to also avoid flat keys.
A trombone's 7th position is the worst of the worst. An F attachment/trigger alleviates this.
As French horn typically plays high in its range, its usual worst fingering is relatively benign.

Have another usual note that you least favor or instrument that would help to mention? Please comment or edit.

chart format touchup
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lauir
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                                                Worst-to-play                   Written keys WITHOUT
                                 Open key         usual note    Worst-to-play         worst-to-play
  Name of        Version of    ------------  Open key ----------------        usual note
  instrument      instrument    Con-usual note
 instrument Writ-    Writ instrument    ------------   Fingers/ ----------------     ------------------
  on score       considered    cert    tenCon-   Writ-   ten Writ-   positionFingers/     How many  How many
                                                 cert    ten      ten    position      sharps    flats

F French horn      4-rotor      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3
                                                Worst-to-play      Written keys WITHOUT
                                 Open key         usual note          worst-to-play
  Name of        Version of    ------------    ----------------        usual note
  instrument      instrument    Con-   Writ-    Writ-   Fingers/     ------------------
  on score       considered    cert    ten      ten    position     How many  How many
                                                                     sharps    flats

F French horn      4-rotor      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3
                                                                   Written keys WITHOUT
                                                Worst-to-play         worst-to-play
  Name of        Version of      Open key         usual note           usual note
 instrument      instrument    ------------    ----------------     ------------------
  on score       considered    Con-   Writ-    Writ-   Fingers/     How many  How many
                               cert    ten      ten    position      sharps    flats

F French horn      4-rotor      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3
worst --> worst-to-play
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lauir
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Adding to the narrative in other answers, here is a chart that might help further explain why brass players tend to prefer sheet music written in keys with flats. As seen, written keys that exclude the “worst-to-play usual notes” (elaborated below) on common brass instruments (except French horn) are overwhelmingly keys with flats. This is especially true for almost all lower-brass parts, in which even the written-and-concert key of C, with no flats, includes the worst-to-play notes for all but C tuba and triggered trombone.

The specific keys mentioned in the question as being equally playable on B♭ trumpet— written keys E and A♭ — serve well to demonstrate this chart. The keys of E and A♭ contain 4 sharps and 4 flats, respectively, and are equally disfavored here because they include the trumpet's worst-to-play note, scored as C♯ or D♭.

                                 Open key              Worst-to-play usual note    Written keys WITHOUT
                                 Open key         usual note          worst-to-play
  Name of        Version of    ------------    ----------------      worst  usual note
 instrument      instrument    Con-   Writ-    Writ-   Fingers/     ------------------
  on score       considered    cert    ten      ten    position     How many  How many
                                                                     sharps    flats

F French horn      4-rotor      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3

“Worst-to-play usual note” is an ad hoc designation likely to find agreement byamong many players due to some of these factors:
The note is in the range usually scored for the instrument.
With 3 valves but no fingered slide, timbre is compromised when a note is lipped into tune.
With 3 valves and a fingered tuning slide, coordinating the slide quickly is difficult.
With an in-line 4th valve, pinkie-vs-ring-finger agility is anatomically limited.
With a left-hand 4th valve, coordinating the hands quickly is difficult.
On a trombone, a quick slide excursion is a gymnastic feat.
French horn players have a right to complain as well.
Admittedly:
A French horn's worst usualAlmost-worst notes and convenient fingering/position sequences isn't quite as badplay circumstantial roles as well.
Some rarer fingerings/positions are worse than those of other instrumentsshown, but tend to also avoid flat keys.
A trombone's 7th position is the worst of the worst. An F attachment/trigger alleviates this.
Some rarer fingerings/positions are worse than those shownAs French horn is typically scored high in the range, but tend to also avoid flat keys.
Almost-worst notes and convenientits usual worst fingering/position sequences play circumstantial roles as well isn't very bad.

Adding to the narrative in other answers, here is a chart that might help further explain why brass players tend to prefer sheet music written in keys with flats. As seen, written keys that exclude the “worst usual notes” (elaborated below) on common brass instruments (except French horn) are overwhelmingly keys with flats. This is especially true for almost all lower-brass parts, in which even the written-and-concert key of C, with no flats, includes the worst notes for all but C tuba and triggered trombone.

The specific keys mentioned in the question as being equally playable on B♭ trumpet— written keys E and A♭ — serve well to demonstrate this chart. The keys of E and A♭ contain 4 sharps and 4 flats, respectively, and are equally disfavored here because they include the trumpet's worst note, scored as C♯ or D♭.

                                 Open key      Worst usual note    Written keys WITHOUT
  Name of        Version of    ------------    ----------------      worst usual note
 instrument      instrument    Con-   Writ-    Writ-   Fingers/     ------------------
  on score       considered    cert    ten      ten    position     How many  How many
                                                                     sharps    flats

F French horn      4-rotor      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3

“Worst usual note” is an ad hoc designation likely to find agreement by many players due to some of these factors:
The note is in the range usually scored for the instrument.
With 3 valves but no fingered slide, timbre is compromised when a note is lipped into tune.
With 3 valves and a fingered tuning slide, coordinating the slide quickly is difficult.
With an in-line 4th valve, pinkie-vs-ring-finger agility is anatomically limited.
With a left-hand 4th valve, coordinating the hands quickly is difficult.
On a trombone, a quick slide excursion is a gymnastic feat.
French horn players have a right to complain as well.
Admittedly:
A French horn's worst usual fingering isn't quite as bad as those of other instruments.
A trombone's 7th position is the worst of the worst. An F attachment/trigger alleviates this.
Some rarer fingerings/positions are worse than those shown, but tend to also avoid flat keys.
Almost-worst notes and convenient fingering/position sequences play circumstantial roles as well.

Adding to the narrative in other answers, here is a chart that might help further explain why brass players tend to prefer sheet music written in keys with flats. As seen, written keys that exclude the “worst-to-play usual notes” (elaborated below) on common brass instruments (except French horn) are overwhelmingly keys with flats. This is especially true for almost all lower-brass parts, in which even the written-and-concert key of C, with no flats, includes the worst-to-play notes for all but C tuba and triggered trombone.

The specific keys mentioned in the question as being equally playable on B♭ trumpet— written keys E and A♭ — serve well to demonstrate this chart. The keys of E and A♭ contain 4 sharps and 4 flats, respectively, and are equally disfavored here because they include the trumpet's worst-to-play note, scored as C♯ or D♭.

                                                Worst-to-play      Written keys WITHOUT
                                 Open key         usual note          worst-to-play
  Name of        Version of    ------------    ----------------        usual note
 instrument      instrument    Con-   Writ-    Writ-   Fingers/     ------------------
  on score       considered    cert    ten      ten    position     How many  How many
                                                                     sharps    flats

F French horn      4-rotor      F      C       G#/Ab     2-3         2,1  0  1,2
 Bb Trumpet        3-valve      Bb     "       C#/Db    1-2-3          1  0  1,2,3
Baritone T.C.         "         "      "         "        "            1  0  1,2,3
Eb Mellophone         "         Eb     "         "        "            1  0  1,2,3
Alto/Tenor horn       "         "      "         "        "            1  0  1,2,3
    Tuba            C tuba      C      "         "    1-2-3, 2-4       1  0  1,2,3
    Tuba           Eb tuba      Eb     Eb       E/Fb      "          6,7       2,3,4,5,6
    Tuba           Bb tuba      Bb     Bb       B/Cb      "            7     1,2,3,4,5
Baritone horn      4-valve      "      "         "        "            7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
Baritone horn      3-valve      "      "         "      1-2-3          7     1,2,3,4,5
  Euphonium           "         "      "         "        "            7     1,2,3,4,5
  Trombone        slide only    "      "         "       7th           7     1,2,3,4,5
  Trombone        F trigger     "      "    C#/Db,F#/Gb  5th              0  1,2,3

“Worst-to-play usual note” is an ad hoc designation likely to find agreement among many players due to some of these factors:
The note is in the range usually scored for the instrument.
With 3 valves but no fingered slide, timbre is compromised when a note is lipped into tune.
With 3 valves and a fingered tuning slide, coordinating the slide quickly is difficult.
With an in-line 4th valve, pinkie-vs-ring-finger agility is anatomically limited.
With a left-hand 4th valve, coordinating the hands quickly is difficult.
On a trombone, a quick slide excursion is a gymnastic feat.
French horn players have a right to complain as well.
Admittedly:
Almost-worst notes and convenient fingering/position sequences play circumstantial roles as well.
Some rarer fingerings/positions are worse than those shown, but tend to also avoid flat keys.
A trombone's 7th position is the worst of the worst. An F attachment/trigger alleviates this.
As French horn is typically scored high in the range, its usual worst fingering isn't very bad.

fuller/clearer display/explanation of "worst" notes/fingerings/positions, corrected maximum numbers of flats for C-scored instruments
Source Link
lauir
  • 652
  • 7
  • 17
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touchup
Source Link
lauir
  • 652
  • 7
  • 17
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Source Link
lauir
  • 652
  • 7
  • 17
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