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Music: Practice & Theory

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typo fixed
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guidot
guidot
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For what it's worth, here's what Berlioz has to say in his Treatise on Instrumentation:

The composer, when indicating the use of mutes in the middle of a piece (by the words con sordini), must not forget to allow sufficient time for putting them on. He should provide a rest in the violins, equal in length to about two bars in 4-4 time, moderato. The testrest may be shorter when the words senza sordini indicate that the mutes are to be removed; this can be done in much less time.

If you do need a transition to or from mutes during continuous playing, you could perhaps divide a section and have half the players start playing with mutes at the same time that the other half end an unmuted phrase.

For what it's worth, here's what Berlioz has to say in his Treatise on Instrumentation:

The composer, when indicating the use of mutes in the middle of a piece (by the words con sordini), must not forget to allow sufficient time for putting them on. He should provide a rest in the violins, equal in length to about two bars in 4-4 time, moderato. The test may be shorter when the words senza sordini indicate that the mutes are to be removed; this can be done in much less time.

If you do need a transition to or from mutes during continuous playing, you could perhaps divide a section and have half the players start playing with mutes at the same time that the other half end an unmuted phrase.

For what it's worth, here's what Berlioz has to say in his Treatise on Instrumentation:

The composer, when indicating the use of mutes in the middle of a piece (by the words con sordini), must not forget to allow sufficient time for putting them on. He should provide a rest in the violins, equal in length to about two bars in 4-4 time, moderato. The rest may be shorter when the words senza sordini indicate that the mutes are to be removed; this can be done in much less time.

If you do need a transition to or from mutes during continuous playing, you could perhaps divide a section and have half the players start playing with mutes at the same time that the other half end an unmuted phrase.

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Michael Seifert
Michael Seifert
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For what it's worth, here's what Berlioz has to say in his Treatise on Instrumentation:

The composer, when indicating the use of mutes in the middle of a piece (by the words con sordini), must not forget to allow sufficient time for putting them on. He should provide a rest in the violins, equal in length to about two bars in 4-4 time, moderato. The test may be shorter when the words senza sordini indicate that the mutes are to be removed; this can be done in much less time.

If you do need a transition to or from mutes during continuous playing, you could perhaps divide a section and have half the players start playing with mutes at the same time that the other half end an unmuted phrase.