Timeline for What's the logic behind chords building patterns that are in key?
Current License: CC BY-SA 3.0
14 events
| when toggle format | what | by | license | comment | |
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| Oct 29, 2017 at 16:57 | history | edited | Dom♦ |
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| Oct 17, 2017 at 11:33 | vote | accept | VladNeacsu | ||
| Oct 14, 2017 at 1:41 | comment | added | Some_Guy | @mkorman you must hate the beatles. So non western sounding | |
| Oct 12, 2017 at 9:37 | answer | added | Ali Afsah | timeline score: 2 | |
| Oct 12, 2017 at 4:55 | answer | added | Armadillo Bill | timeline score: 2 | |
| Oct 11, 2017 at 17:49 | history | tweeted | twitter.com/StackMusic/status/918171621327765515 | ||
| Oct 11, 2017 at 16:51 | answer | added | Laurence | timeline score: 3 | |
| Oct 11, 2017 at 14:51 | comment | added | mkorman | That's all there is to it. It's worth explaining why it's like this. Using notes from the scale "sounds better" to our ears. If we were to create chords with notes that don't belong to the diatonic scale it would sound dissonant. At least to the Western musical tradition. | |
| Oct 11, 2017 at 13:14 | answer | added | Andre Mesquita | timeline score: 6 | |
| Oct 11, 2017 at 12:53 | answer | added | Tim | timeline score: 3 | |
| Oct 11, 2017 at 11:30 | answer | added | Shevliaskovic | timeline score: 5 | |
| Oct 11, 2017 at 11:15 | comment | added | user19146 | Correct - that's all there is to it. The minor scale is a bit more complicated because there are two choices for the 6th and 7th notes, depending on whether you use the harmonic minor or melodic minor. In real music as compared with text-book exercises, both are often used in the same piece, so the "key of A minor" contains all the notes A B C D E F F# G G# A. | |
| Oct 11, 2017 at 11:04 | review | First posts | |||
| Oct 11, 2017 at 20:30 | |||||
| Oct 11, 2017 at 11:04 | history | asked | VladNeacsu | CC BY-SA 3.0 |