Timeline for Why do we only build 7th chords on the supertonic and dominant of a major scale?
Current License: CC BY-SA 3.0
12 events
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| Mar 2, 2019 at 0:57 | comment | added | user53472 | "user is unable to comment on account of the jinx" xD nice joke! | |
| Jan 11, 2018 at 23:27 | comment | added | Richard | @KyleSchlitt Exactly right! Later studies will show that, not only can you put sevenths on anything, you can use different types of sevenths. Keep at it! | |
| Jan 11, 2018 at 23:09 | comment | added | user45413 | Thanks for the clarification. If I am understanding correctly, I could just as well have added a seventh on to every triad; but the author simply chooses to emphasize those two first. | |
| Jan 11, 2018 at 23:01 | vote | accept | CommunityBot | ||
| Jan 10, 2018 at 22:42 | history | edited | Richard | CC BY-SA 3.0 |
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| Jan 10, 2018 at 17:32 | history | edited | Richard | CC BY-SA 3.0 |
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| Jan 10, 2018 at 9:39 | comment | added | Tim | We certainly do! To the extent that most of us seem to use ii7 > V7 > Imaj7 more than just I for resolution. Maybe, later in the book, it gets into all that - it jolly well should ! Perhaps with a footnote on the page shown, to whet the reader's appetite? | |
| Jan 10, 2018 at 8:58 | comment | added | Mast | "Or maybe it just doesn't yet" Quite likely. If there's one thing a beginner book shouldn't do, is smash down the entirety of music theory all at once. I suspect the author simply used this subset because it fit his approach best. | |
| Jan 10, 2018 at 3:19 | comment | added | Richard | @user37496 <user is unable to comment on account of the jinx> | |
| Jan 10, 2018 at 3:18 | comment | added | user37496 | "We do" ... Jinx! | |
| Jan 10, 2018 at 3:16 | history | edited | Richard | CC BY-SA 3.0 |
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| Jan 10, 2018 at 3:15 | history | answered | Richard | CC BY-SA 3.0 |