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Oct 11, 2018 at 17:21 answer added user45266 timeline score: 0
Oct 11, 2018 at 12:07 answer added Heather S. timeline score: 4
Oct 11, 2018 at 11:08 comment added Pat Muchmore Ok, well I see what part of the confusion with your question is: you said your melody ends with a whole note, but there aren’t actually any whole notes in your melody. It ends with a quarter note, so a strict retrograde would begin with a quarter note. Where you place it in the meter is entirely up to your compositional desires. (Except for a small misprint in B) Both of your examples are perfectly fine pitch retrogrades, but only B is also a rhythmic retrograde. You could have started B on beat 1, 2 or 3 without changing that.
Oct 11, 2018 at 11:02 answer added Laurence timeline score: 6
Oct 11, 2018 at 10:31 comment added user36492 @Tim I have attach an example score to make my problem more clear to you. In actuality if I was to play the melody ^ in reverse, wouldn't I play the note on the fourth measure as in eighth instead of a quarter considering that the note before it is an eighth and hence the gap between the last note and the second last note is half a beat and not a full beat?
Oct 11, 2018 at 10:28 history edited user36492 CC BY-SA 4.0
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Oct 11, 2018 at 10:26 comment added user36492 But it seems weird to me because the time gaps between the notes, when reversed, should change as well. Let me attach an example score to show you what I mean.
Oct 11, 2018 at 10:24 comment added Tim You mean playing the whole melody backwards? In that case, a semibreve stays a semibreve, otherwise you're not doing what you want.
Oct 11, 2018 at 10:19 comment added user36492 I mean reversing the melody.
Oct 11, 2018 at 10:04 comment added Tim What do you mean by 'retrograding'?
Oct 11, 2018 at 9:47 history asked user36492 CC BY-SA 4.0