Timeline for Borrowed chords - does their function change?
Current License: CC BY-SA 4.0
11 events
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| Feb 14, 2019 at 3:20 | review | Suggested edits | |||
| Feb 14, 2019 at 8:14 | |||||
| Jan 9, 2019 at 17:42 | comment | added | Michael Curtis | In that case, I better make sure to quote my original sources faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/… and faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/… | |
| Jan 9, 2019 at 16:33 | history | edited | Michael Curtis | CC BY-SA 4.0 |
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| Jan 9, 2019 at 16:28 | history | edited | Michael Curtis | CC BY-SA 4.0 |
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| Jan 9, 2019 at 16:20 | history | edited | Michael Curtis | CC BY-SA 4.0 |
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| Jan 9, 2019 at 16:15 | history | edited | Michael Curtis | CC BY-SA 4.0 |
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| Jan 9, 2019 at 14:38 | vote | accept | Kristian Erik Tigersjäl | ||
| Jan 9, 2019 at 12:38 | comment | added | Kristian Erik Tigersjäl | That was a much clearer way of putting it and yes, that was what I was shooting for. An interesting follow-up question is what borrowed chords are commonly usable for a song in a minor key, as that seems rarely mentioned anywhere when talks come up about borrowed chords. For a song in C major, common examples are: D, E and Fm, and B♭, A♭ and E♭ as mentioned above. What are common examples for say, A minor? | |
| Jan 9, 2019 at 8:27 | history | edited | Tim | CC BY-SA 4.0 |
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| Jan 9, 2019 at 1:50 | comment | added | Dekkadeci | As I've noticed and asked about in music.stackexchange.com/questions/64464/…, the "chromatically alter[ed]...dominant" you mention is not complete "tonal self-destruction", and it can persist in a tonal work. | |
| Jan 8, 2019 at 20:24 | history | answered | Michael Curtis | CC BY-SA 4.0 |