Timeline for Can we use double accidentals in figured bass?
Current License: CC BY-SA 4.0
9 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Mar 28 at 17:50 | history | edited | Michael Curtis | CC BY-SA 4.0 |
added 402 characters in body
|
| Mar 27 at 20:40 | comment | added | Michael Curtis | @phoog, I went back searching in that Google book and I think I found a clarifying example. It is with a double sharp, not flat, but it included the bass figure and the chord fully notated. I added the examples to my answer. | |
| Mar 27 at 20:39 | history | edited | Michael Curtis | CC BY-SA 4.0 |
added 766 characters in body
|
| Mar 27 at 9:09 | comment | added | phoog | @Richard but this quotation doesn't answer the question. For all we know, Albrechtsberger is thinking of, for example, figuring a minor third above G flat when the key signature is G flat major. The figure that Albrechtsberger would have chosen for this example isn't at all clear. | |
| Nov 16, 2021 at 16:15 | comment | added | user1079505 | So you suggest that writing ♮5 indicates lowering F# by a semitone to F, while ♭♭ lowers D# by a whole tone to D♭ (@Richard first choice)?! I don't believe the quoted paragraph supports this! | |
| Mar 6, 2019 at 5:06 | comment | added | Richard | I literally couldn't have asked for a more clear citation. Great detective work! | |
| Mar 6, 2019 at 5:05 | vote | accept | Richard | ||
| Feb 22, 2019 at 21:25 | history | edited | Michael Curtis | CC BY-SA 4.0 |
added 40 characters in body
|
| Feb 22, 2019 at 20:39 | history | answered | Michael Curtis | CC BY-SA 4.0 |