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May 8, 2019 at 17:32 history edited user45266 CC BY-SA 4.0
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Apr 22, 2019 at 18:33 comment added user45266 @PhilippePerret Regardless of the classical implications, this is very common in jazz music, where it should be written C°7. Surely you can't be saying that it's not a "common progression"?
Apr 21, 2019 at 3:12 comment added user59242 I spoke about Cdim7-D. Cdim7-Dm is not a classical progression. I can find you thousands of the former, and only a few of the latter. It's not a "common progression", unlike the question says. I answer the common progressions.
Apr 20, 2019 at 19:56 comment added user45266 @PhilippePerret Sure, when the chord resolves to G! Otherwise, it makes zero sense to have F♯° resolving to Dm. Unless you're arguing that all enharmonic °7 chords in a key should always be written as ♯iv°? With which I would disagree. I'd accept a case for E♭° resolving to Dm, though.
Apr 20, 2019 at 11:26 comment added user59242 There's no Cdim7, really. See my answer. It's a F#dim7
Apr 20, 2019 at 6:47 history answered user45266 CC BY-SA 4.0