Timeline for Are these upper voices in this final passage from Handel a bona fide F7 chord or some kind of non-chord tones?

14 events

when toggle format	what		by	license	comment
Jul 11, 2019 at 9:00	history	tweeted			twitter.com/StackMusic/status/1149242057480949760
Jun 25, 2019 at 20:34	history	edited	Richard		edited tags
May 28, 2019 at 14:58	comment	added	Michael Curtis		@Dekkadeci, I revised my post. I really messed up trying to analyze before playing.
May 26, 2019 at 15:31	vote	accept	Michael Curtis
May 26, 2019 at 15:30	history	edited	Michael Curtis	CC BY-SA 4.0	edited title
May 26, 2019 at 14:57	history	edited	Michael Curtis	CC BY-SA 4.0	edited title
May 24, 2019 at 18:06	history	edited	Michael Curtis	CC BY-SA 4.0	added 712 characters in body
May 24, 2019 at 18:04	answer	added	guest		timeline score: 2
May 24, 2019 at 17:59	history	edited	Michael Curtis	CC BY-SA 4.0	added 712 characters in body
May 24, 2019 at 17:49	comment	added	Michael Curtis		@Dekkadeci, I'm saying the F and A in the circled part are non-chord tones. They are held while the other voices move to the true harmonic tones. The resemblance to F7 is a coincidence.
May 24, 2019 at 16:55	answer	added	Richard		timeline score: 4
May 24, 2019 at 16:46	comment	added	Richard		@Dekkadeci Michael is saying that the `F` and `A` are pedal tones, and thus this chord is really just `E♭ C` with the `G` missing; hence the `iv6` in `G`.
May 24, 2019 at 16:25	comment	added	Dekkadeci		How is F-A-C-Eb iv6 of G minor? It's clearly got an added F, which means it's some sort of exotic ivAdd11Add6 at the very least.
May 24, 2019 at 14:51	history	asked	Michael Curtis	CC BY-SA 4.0