Timeline for How to differentiate countermelody from arpeggiated accompaniment?
Current License: CC BY-SA 4.0
8 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Dec 3, 2020 at 14:45 | history | edited | Aaron | CC BY-SA 4.0 |
cleaned up language and spelling
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| Aug 6, 2019 at 7:50 | vote | accept | Toby | ||
| Aug 4, 2019 at 14:08 | answer | added | Pyromonk | timeline score: 1 | |
| Aug 3, 2019 at 17:21 | comment | added | Toby | I was asking about some guidelines/rules that would help me diffrentiate the two, because I'm not always certain about it. | |
| Aug 3, 2019 at 16:00 | comment | added | Pyromonk | So what exactly is the question? I am confused after reading through your comment. | |
| Aug 3, 2019 at 14:43 | comment | added | Toby | Yeah, I was talking about counterpoint. My question is kind of thing that I can "hear" but I'm not fully certain how to describe it in different cases. Like the one I posted, voice is melody and piano would be an accompaniament, I believe. But sometimes there could be a human voice singing one melody and guitar/piano playing another that does not really accompanies it, but rather is doing its own thing. | |
| Aug 3, 2019 at 13:04 | comment | added | Pyromonk | Depends on how loosely you define countermelody. I am assuming we are talking about counterpoint. There are certain "rules" to constructing it. Accompanying chords (arpeggiated or not) can be placed according to a lot of algorithms, including counterpoint expansion. | |
| Aug 1, 2019 at 8:50 | history | asked | Toby | CC BY-SA 4.0 |