Timeline for How to differentiate countermelody from arpeggiated accompaniment?
Current License: CC BY-SA 4.0
8 events
| when toggle format | what | by | license | comment | |
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| Aug 6, 2019 at 7:50 | vote | accept | Toby | ||
| Aug 6, 2019 at 1:58 | comment | added | Dekkadeci | @Toby - The theme I didn't transcribe any of the "arpeggiated line" for because it was too high and quiet for solo piano without discarding the melody is here, while the theme I did transcribe some of the "arpeggiated line" for is here. | |
| Aug 5, 2019 at 17:17 | history | edited | Pyromonk | CC BY-SA 4.0 |
added 521 characters in body
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| Aug 5, 2019 at 17:09 | history | edited | Pyromonk | CC BY-SA 4.0 |
added 521 characters in body
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| Aug 5, 2019 at 8:23 | comment | added | Toby | @Dekkadeci So the piece you transcribed was kind of a blend between arpeggiation and countermelody? That's interesting. Can you give a link to this theme? | |
| Aug 5, 2019 at 8:21 | comment | added | Toby | I think I like this answer :) squares and rectangles are probably good metaphore for that. | |
| Aug 4, 2019 at 18:07 | comment | added | Dekkadeci | I've ended up characterizing two boss themes as having "arpeggiated lines", even though those lines don't strictly follow chord arpeggios on later analysis. I didn't think of either of them as countermelodies--I ended up not transcribing one such line for one of the themes for solo piano because it was too quiet and too high, but I did end up transcribing portions of the line for the other theme. | |
| Aug 4, 2019 at 14:08 | history | answered | Pyromonk | CC BY-SA 4.0 |