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Walter
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I know this is a question that’s been asked before, but I haven’t found an answer that suits my needs.

Consider the following example [edit: new excerpt, to include all swells and to remove other staves as requested]:

Excerpt showing increasingly loud swells: n < p > n < mp > pp < ? > p < mf < f [![Excerpt showing increasingly loud swells: n < p > n < mp > pp < ? > p < mf < f][1]][1] [1]: https://i.sstatic.net/jIMmY.png

As you can see, there are several swells in this string passage (the rest of the string section uses identical dynamics). This is following an (unshown) intro in pp, hence why I want the first swell to be louder (p). Each swell is intended to sound louder than the last, with the final reaching f (but no higher, as there are louder climaxes later).

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

Edit: I’ve received some informative answers and comments and I appreciate them all, and I intend to implement the things I’ve learned in my scores. But I don’t think I’ve yet received an answer to the specific question of whether a middle-ground exists between mp and mf and how to notate it, in the event where this were necessary (assuming you couldn’t upshift or downshift other dynamics for whatever reason).

For instance, would having a passage play mp and then adding a cresc. hairpin (that doesn’t end with a written mf) work? (This assumes both mp and mf are used further along, and that you want gradual “steps” in volume.)

I know this is a question that’s been asked before, but I haven’t found an answer that suits my needs.

Consider the following example [edit: new excerpt, to include all swells and to remove other staves as requested]:

Excerpt showing increasingly loud swells: n < p > n < mp > pp < ? > p < mf < f

As you can see, there are several swells in this string passage (the rest of the string section uses identical dynamics). This is following an (unshown) intro in pp, hence why I want the first swell to be louder (p). Each swell is intended to sound louder than the last, with the final reaching f (but no higher, as there are louder climaxes later).

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

I know this is a question that’s been asked before, but I haven’t found an answer that suits my needs.

Consider the following example [edit: new excerpt, to include all swells and to remove other staves as requested]:

[![Excerpt showing increasingly loud swells: n < p > n < mp > pp < ? > p < mf < f][1]][1] [1]: https://i.sstatic.net/jIMmY.png

As you can see, there are several swells in this string passage (the rest of the string section uses identical dynamics). This is following an (unshown) intro in pp, hence why I want the first swell to be louder (p). Each swell is intended to sound louder than the last, with the final reaching f (but no higher, as there are louder climaxes later).

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

Edit: I’ve received some informative answers and comments and I appreciate them all, and I intend to implement the things I’ve learned in my scores. But I don’t think I’ve yet received an answer to the specific question of whether a middle-ground exists between mp and mf and how to notate it, in the event where this were necessary (assuming you couldn’t upshift or downshift other dynamics for whatever reason).

For instance, would having a passage play mp and then adding a cresc. hairpin (that doesn’t end with a written mf) work? (This assumes both mp and mf are used further along, and that you want gradual “steps” in volume.)

Tweeted twitter.com/StackMusic/status/1165594820355796994
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Walter
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I know this is a question hasthat’s been asked before, but I haven’t found an answer that suits my needs.

Consider the following example [edit: new excerpt, to include all swells and to remove other staves as requested]:

Excerpt from “James’s Theme” with three swells, the first to mp, the third to mf, and the middle to ?Excerpt showing increasingly loud swells: n < p > n < mp > pp < ? > p < mf < f

As you can see, there are threeseveral swells in this string passage (the rest of the string section uses identical dynamics). The first swells toThis is following an (unshown) intro in mppp, andhence why I want the third swellsfirst swell to be louder (mfp, and between that, there’s a swell to an intermediate dynamic between the first two (currently designated with ?). Each swell is meantintended to be distinctlysound louder than the last, with the final reaching f (but no higher, as there are louder climaxes later).

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

I know this question has been asked before, but I haven’t found an answer that suits my needs.

Consider the following example:

Excerpt from “James’s Theme” with three swells, the first to mp, the third to mf, and the middle to ?

As you can see, there are three swells in this string passage. The first swells to mp, and the third swells to mf, and between that, there’s a swell to an intermediate dynamic between the first two (currently designated with ?). Each swell is meant to be distinctly louder than the last.

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

I know this is a question that’s been asked before, but I haven’t found an answer that suits my needs.

Consider the following example [edit: new excerpt, to include all swells and to remove other staves as requested]:

Excerpt showing increasingly loud swells: n < p > n < mp > pp < ? > p < mf < f

As you can see, there are several swells in this string passage (the rest of the string section uses identical dynamics). This is following an (unshown) intro in pp, hence why I want the first swell to be louder (p). Each swell is intended to sound louder than the last, with the final reaching f (but no higher, as there are louder climaxes later).

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

Quick addition about “m”.
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Walter
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I know this question has been asked before, but I haven’t found an answer that suits my needs.

Consider the following example:

Excerpt from “James’s Theme” with three swells, the first to mp, the third to mf, and the middle to ?

As you can see, there are three swells in this string passage. The first swells to mp, and the third swells to mf, and between that, there’s a swell to an intermediate dynamic between the first two (currently designated with ?). Each swell is meant to be distinctly louder than the last.

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

I know this question has been asked before, but I haven’t found an answer that suits my needs.

Consider the following example:

Excerpt from “James’s Theme” with three swells, the first to mp, the third to mf, and the middle to ?

As you can see, there are three swells in this string passage. The first swells to mp, and the third swells to mf, and between that, there’s a swell to an intermediate dynamic between the first two (currently designated with ?). Each swell is meant to be distinctly louder than the last.

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”?

I know this question has been asked before, but I haven’t found an answer that suits my needs.

Consider the following example:

Excerpt from “James’s Theme” with three swells, the first to mp, the third to mf, and the middle to ?

As you can see, there are three swells in this string passage. The first swells to mp, and the third swells to mf, and between that, there’s a swell to an intermediate dynamic between the first two (currently designated with ?). Each swell is meant to be distinctly louder than the last.

What should I write in the space of ? to indicate a dynamic between mp and mf? Is there something that means “louder than mp but not quite mf”? Until recently I used m, but many say that’s too ambiguous.

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Walter
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