I don't personally see anything wrong with this notation; it's perfectly clear! If I came across it in a score, I would know exactly what was intended.
It's a slightly tricky rhythm to perform, because the performer must subdivide the first two sixteenth notes in three before immediately switching to a duple subdivision starting on the third sixteenth note. But this is a standard skill, so most competent musicians will perform it without problem.
This rhythm looks 100% correct to me as is, and I don't see any reason to try to improve it. But one possible improvement, as Heather S. mentions in the comments, is to beam all of the right-hand sixteenth notes into one beat:
If you're worried by what appears to be five sixteenth notes in the span of only four, the first three are part of a triplet. See What exactly does a 3 mean over a quarter note and an 8th note?