Is there an standard / common way of measuring and comparing intonation in classical guitars?

Say, if I were a luthier, which objective method would I use to decide if any given classical guitar needs the intonation adjusted? Or as a buyer, how can I chose between two classical guitars, if intonation was my top priority? Is there a systematic way of comparing the intonation of classical guitars?

I can hear two guitars and say that one has better intonation than the other (even, perhaps, limiting the scope by string, pitch-range, note, etc), but how can I prove it? Or check if I'm right?

1 Answer 1


Unlike a violin, where intonation ios determined by left had finger positions, On a guitar, intonation is largely controlled by the positioning of the frets relative to each other and to the bridge. To a limited extent, intonation can be altered by, say, pressing down too hard on a given fret and taking the pitch sharp. In non-classical music of course, (blues for example), players bend the pitch by pulling or pushing the string to one side. That doesn't work too well on classical guitar and I've never seen or heard any classical guitar music that employs it.

So provided your left hand technique is good, all you have to worry about is correct fret positioning and height of the action. Generally you want this to be as low as possible without buzzing.


Look along the fingerboard from the nut end to see if it is dead straight. For a classical instrument there should be no perceptible curve, either concave or convex - either lengthwise or across.

Next test the octave of each open string.

Play the harmonic at the 12th fret and compare with the fretted note at the twelfth fret. The pitch should be identical. If it isn't then either (a) the bridge is in the wrong place, (b) the action is way too high or (c) the string is not perfect. Nylon strings in particular are susceptible to not having precise diameter along their length. The G-string tends to be the worst. If the guitar has cheap strings, it is very difficult to check the intonation of the guitar.

Make sure the guitar is tuned to concert pitch. If the strings are too tight, the neck will lift and if they are too loose, you may get buzzing.

Because the instrument is tuned to concert pitch you can use a clip-on electronic tuner to check as many frets as you care to.

Remember that a guitar is an equal temperament instrument. https://en.wikipedia.org/wiki/Equal_temperament

This makes the guitar difficult to tune 'perfectly'. The problem with the standard tuning method (fifth fret against open string except for 2 and 3), is that it creates problems with thirds (for example the major third on the 1st string when playing a D-chord can sound sharp.

Because you are using concert pitch, if you have a lot of patience, you can work your way up each string a fret at a time an check every single one against the tuner. Note that all but specialist tuners use Equal Temperament.

I hope that answers some of what you were asking.

  • Violins can play in tune in any key. The player can make the minute adjustments between say, F# and Gb. However all modern pianos are tuned to equal temperament. This is necessary because music and maths don't quite agree. I suggest you Google just intonation vs equal temperament. There are plenty of explanations and of course the subject is discussed on this forum. On a guitar (and piano) the only intervals that are 100% perfectly in tune are octaves. All the others are a slight compromise. Commented Jun 24, 2020 at 21:47
  • On guitar you have to be judicious about where you compromise. The problem is that if you tune the open strings perfectly, they won't then agree with the fretted notes at the same pitch. (except for octaves) Commented Jun 24, 2020 at 21:52

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