I noticed that you can get cheap and expensive xlr cables, why would anyone buy the more expensive ones?

Is the only difference how well the cable "age"? Or are there also differences in how well the cable leads electricity?


  • The links provided compare a 2-pack of 6' cables to a single 3' cable? That sounds like a packaging price difference. For other comparisons, there can be differences of metals used on the connectors, quality of the cable insulation, gauge, brand, color..... And of course of merchant trying to make more money than another.
    – jlb
    Jul 24, 2020 at 0:25
  • Note that "aging" also means "reliability", and whenever you are doing something important with your cables (say, playing a live gig or steering an airplane) you do not want them to suddenly develop connection faults, so a quality / brand-name cable might be worth it just for reliability and peace of mind. (Also, I imagine finding the broken cable in a complex audio setup is a very special kind of hell.)
    – user70370
    Jul 24, 2020 at 11:31

3 Answers 3


The things that affect the quality and price of a cable are similar to what affects quality and price for any product: parts and labor. Specifically for cables:

  • The cable itself, including the type of metal used as conductors, the quality of the metal, the dialectic type and quality, and the insulator type and quality. Also the strand count and size of the wiring and the braid pattern, density, and weave quality of the shield.
  • The connector design and materials. If you unplug and plugin in a lot of XLRs, you’ll start to appreciate good connectors a lot more. I won’t buy any XLR cables that don’t have Neutrik connectors any more. I should point out that others hate Neutriks and instead are die hard fans of the s Switchcraft design.
  • The solder joint and strain relief between the cable and the connectors is critical, and there is a huge variance in quality when it comes to solder joints. The solder itself can vary a lot, and choosing the right solder is pretty tricky these days. The temperature of the soldering process, the contact time, the amount of solder, all of these can give you a connection that will last decades if done well or maybe only days if done poorly.

There are other details that matter in cables. Really you have to decide for yourself what you are comfortable with. I am easily frustrated by cheaper cables but other people don’t notice or don’t mind the difference. And still other people insist on cables even more expensive than what I’m willing to use.

  • Agree about Neutrik - especially the older variety. Still gigging using leads that are 35+ yrs old. Don't normally buy a lead with connectors aleady on - always need a different length! Having said that, I tend to buy really long cables, and make two or three out of one. +1.
    – Tim
    Jul 24, 2020 at 5:54
  • 1
    “what affects quality and price for any product: parts and labor” – Don't forget brand/marketing. Towards the upper end of the price spectrum, that tends to become a very significant part of the price, and in case of some audiophoole scams it's basically the entire price. Jul 24, 2020 at 10:13

Is the only difference how well the cable "age"?

Yes, pretty much. I bought a couple of really cheap mic cables for use at home once (where, I thought, the stresses would be so much less than on stage that it wouldn't matter), but even then they broke after something like a year. Whereas good quality cables can last many years even when used weekly in a less-than-gentle manner on those rough stages.

Or are there also differences in how well the cable leads electricity?

Yes, but they don't really matter because XLR is a well-designed standard (unlike many other audio connections). Concretely, they are balanced so that hum/brizzle etc. interferences are mostly cancelled out, and have a well-chosen impedance that prevents either capacitance (which has a big influence on the very high-Q guitar connections) or resistivity (which swallows power in the very low-Q speaker connections) to have any significant influence on the transmission – at least for reasonable cable lengths; for kilometre-long transmissions you might run into problems but who would need that?

That means in particular that super-premium mic cables, advertised as sounding particularly good, are just bogus. In case of guitar cables those may actually sound different (typically because of very low capacitance, but even then the price is usually not justified because you could just use a shorter cable and/or a suitable buffer), but for mic connections they will sound exactly the same, unless they have some deliberate nonlinearity built in – which, when it actually does improve sound, you should better dial in with a simple equaliser.

Very low quality cables may also have strange sonic effects, like clicks when you step on them, but those are just trash. Any two decent mic cables will not give notably different sound so long as they work at all.

There are actually good reasons why speaker connections have such low impedance. As long as the connections are kept short, this isn't really an issue (best is to have the power amps right next to the speakers or even inside the (active) speakers).

This assumes of course that the devices you connect are actually standards-compliant, i.e. have the correct impedance and high common-mode rejection. That's not always a given; in particular, if you use an XLR cable through an adapter as an extension to an unbalanced line one, then the XLR part will also be unbalanced and therefore happily pick up any interference that makes it through the shielding. The correct thing to do here is to use a DI box instead of a plain adapter.


Once you actually hold a good XLR cable, you really can feel the quality in it. You're looking at $3-10 per foot, depending on length (longer is cheaper per foot).

Warranty is also a factor. All cables break eventually. I have some 12 year old cheaper XLR and guitar cables with a life-time warranty. If (when) they break, I can just take them into a local store, and they'll give me a new one.

They'll also do the same with my (much more expensive) cables. The difference is, the expensive cables are heavier duty, and less likely to give out during a gig. I generally carry the expensive ones (and spares) with me, and a couple of cheaper ones as loaners/gifts if someone else has a problem.

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