5

Just like this:

Example

This is a Piano Staff, the example was created on MuseScore.

The \laissezVibrer slur only creates a small slur. I don't mind whether the slur crosses the measure or not, I just don't want it to be that short.

This is LilyPond's Engraving:

enter image description here

Also, as they're two voices, in LilyPond the last two rests appear above the default position in both staves. But they're written on a single line as << { } \\ { } >> and I don't know how to make the second voice disappear after that bar so the rest goes back to the default position.

  • 2
    The technical solution aside: what should this kind of notation indicate for the player? – guidot Sep 2 at 7:51
  • @guidot I see it as emphasizing the composer's desire for the note to hang right thru the downbeat rather than stopping any time sooner. – Carl Witthoft Sep 3 at 13:19
9

The easiest way to achieve this is to insert empty chords with <> that catch the open slur or tie. The following code ...

<<
\new Staff {
    << { f'1( <>) } \\ { \voiceThree e'4_( dis'8 cis') dis'2_( <>) } >> R1 R1
}

\new Staff {
    << { g'8 d'' g''2.( <>) } \\ { g'1( <>) } >> R1 R1
}
>>

results in the following output:

enter image description here

The nice thing here is that, like in the original score, all the open slurs end at about the same position. Moreover, you can put the rests outside the double-voice part so that they will be typeset at their regular vertical position.

Empty chords have no rhythmic length and can be used to catch spanners such as crescendi etc. With \voiceThree, you tell LilyPond that the notes should be shifted a bit to the right in case where note heads overlap with other voices, but the stems should be upwards. You then need to explicitly set the direction of the slurs and ties with _(.

| improve this answer | |
3

A simple way to achieve this is to write a normal note that looks as if it's a rest, like this:

b8 fis' b2.~ | b1\rest |

(It's also possible to tweak almost every individual property of every object using \override, but I have to look those up again every time I need them.)

| improve this answer | |
  • Can you show how that renders? Does the choice of 'note' (b1 vs bX) affect where the rest is placed? – Carl Witthoft Sep 3 at 13:21
  • 1
    Yes, the rest appears exactly where the B would appear, so it would be too high up in the staff. Jasper's "empty chord" solution is much better because it doesn't have that problem. You learn something new every day! – Kilian Foth Sep 3 at 13:53

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