2

If we I want to analyze a a piece by Beethoven e.g. with an Italian 6th chord (iv aug6) the notes are the first inversion of F#,Ab,C => Ab,C,F#.

So what chord symbol is correct? Is it F#b3b5/Ab ... or what I am missing?

3
  • Related to this question: music.stackexchange.com/questions/80684/… Oct 6 '20 at 21:23
  • I haven't seen slash notation in analysis of classical, common practice, or "art" music much. Seems mainly. a jazz, rock, pop thing. Oct 6 '20 at 22:12
  • Perhaps the issue is that Neapolitan chord(s) refers to a very specific voicing, while chord symbols normally give lot's of place for interpretation Oct 6 '20 at 22:17
4
  • Italian Augmented 6th - It6, It+6, or #iv6 - In C Major, spelled Ab7(no 5)
  • German Augmented 6th - Ger6, Ger+6, or Ger65 - In C major, Ab7
  • French Augmented 6th - Fr6, Fr+6, or Fr43 - In C major, Ab7(#5)
  • and Neapolitan 6th - N6 - In C major, Db/F

The last isn't really augmented, but I included to complete the list of unusual chord symbols.

What you might be missing is that when we look at the function of the augmented 6th chords and how they are analyzed for the common practice period, we consider there to be an augmented 6th interval contained in the chord, which is enharmonic to a minor seventh interval. If you want to spell the chord for easy reading for performance, it's better to base the chord name on the dominant seventh chord of the lowered 6th scale degree, rather than an altered first inversion of the raised fourth scale degree.

As with all chord spellings, once you go enharmonic, it can get very flexible. For example, the C major Fr6 could also be spelled D7b5/Ab instead of Ab7#5.

See: https://en.wikipedia.org/wiki/Augmented_sixth_chord

7
  • I don't believe this is the notation Albert asked about. Oct 6 '20 at 22:04
  • @user1079505 Those are commonly used chord symbols for those chords. If he's asking for something other than chord symbols, I find the use of the phrase "chord symbols" confusing. Oct 6 '20 at 22:06
  • I understand he's looking for a chord symbol (like root with whatever upper structure and inversion). What you provide are function symbols. Oct 6 '20 at 22:11
  • @user1079505 If we are not talking about function, then we might not even consider it to be an augmented 6th chord. It might be some other chord. But I think there are ways to enharmonically spell them. I'll add that. Oct 6 '20 at 22:15
  • @user1079505 Looks like the term "chord symbol" means different things to different people or in different contexts. Oct 6 '20 at 22:22
1

I consider jazz symbols as based on a hypothetical dominant 13th chord, in major, with all the extensions and modifications from that point of reference.

So, the root is given as the specific pitch F#, then add notation to mod from a dominant seventh chord: drop the seventh, the major third needs to be lowered by two half steps (𝄫3), the perfect fifth lowered a half step (♭5), the bass is given as the specific pitch (/A♭), so that would be F#𝄫3♭5/A♭. Or, you could add min for one of the half steps on the lowered third, like F#m♭3♭5/A♭. Or, maybe base it on a diminished triad F#dim♭3/A♭.

I'm not very confident in those as a jazz/pop chord labels, because the classical augmented sixth chord is considered the same as the jazz tritone substitution which would simply call the chord A♭7 with maybe the notation "omit 5th" to specify the Italian augmented sixth voicing.

The usual RNA symbol is It+6 regardless of inversion, but it seems that #iv+6 should be clear for the first inversion form.

I found an online textbook that shows both the jazz tritone label and RNA label used alternately: Hutchinson, Music Theory for the 21st-Century Classroom

That author seems to prefer labeling it A♭7(no 5th).

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy

Not the answer you're looking for? Browse other questions tagged or ask your own question.