What is Battuta and does it only apply to voice leading by contrary motion?
For example, in treble clef, if going from "E-G" (major-tenth - that is, the "E" is in the bass and the "G" is in the soprano,) and then move the "E" up to a "G" by oblique motion, would that constitute Battuta?
Transferred from: Few Questions on Counterpoint in the Tradition of Johan Fux