I am playing on a gCEA concert ukulele. As a relic of probably incorrect self-taught guitar playing (D major), I am faster to a G major chord by playing a partial barre chord. That's index finger on fret 2 across strings 2-3-4, and ring finger on fret 3 of string 3. The left thumb supports the partial bar on the backside of the neck.

Current fingering:

partial bar g chord

Since I'm pretty fast to get to this chord, and the tone is good, I'm finding it tough to break the habit and re-train myself with the proper fingering.

Correct fingering:

proper g chord

But my question is - will my current fingering inhibit my play in the future?


Similar to this question, but yet another fingering.

  • Who says what the 'correct' fingering is? What authority do they have? Play it how you like - if it doesn't inhibit the sound or moving from/to other chords, who's going to put you in the naughty corner?
    – Tim
    Commented Jan 3, 2021 at 13:07
  • 1
    thanks @Tim. Switching to a partial barre means shifting the thumb behind the fretboard to support the chord, so although for my basic strumming it's ok, as I progress, I may want to break the habit now.
    – philshem
    Commented Jan 3, 2021 at 13:09
  • That pretty well answers your question then.
    – Tim
    Commented Jan 3, 2021 at 13:10
  • Why would you need to shift your thumb? It belongs behind the fretboard anyway, IMO. I play a lot of bar chords on ukulele, and my thumb just stays back there, whether barring or not. Commented Jan 4, 2021 at 20:56
  • @BiscuitTaylor see, for example, tip1 here: ukuleletricks.com/improve-barre-chords-on-ukulele To get the most leverage, ensure that the ball of your thumb is pressed firmly into the neck of the ukulele.
    – philshem
    Commented Jan 5, 2021 at 8:21

2 Answers 2


It is probably a good idea to get confident with one fingering first. As you progress you can learn other variants. Your fingering of the G chord is for example practical, if you change from a G to a Gmaj7, you only need to lift the ring finger. If a song has a change from G to G6, the 3-finger-variant would allow you to lift only one finger to make the change.

I think it is beneficial to learn different fingerings and not restrict yourself to one. There is certainly not one right way to play a chord and the most important thing is that it sounds good.


Actually, this is a pretty good fingering option, all things considered!

The main reason why ukulele chord diagrams will almost always show the three-fingered grip is, practically speaking, tradition. Almost all ukulele players will learn the G chord in this way, so it's the logical default choice when one needs to demonstrate a universal way to play the chord.

With the traditional three-fingered grip, the player has more control over each individual note as a result of each finger fretting just one note. This can be used to play an open string momentarily by lifting one of the fingers, to apply the necessary force on the strings more efficiently (this makes it great for first-timers), and even to possibly leverage a bit of vibrato. This chord grip has the fingers angled back a bit rather than straight-on.

By partially barring at the second fret, one can keep that angle straight-on, which might be preferable in some circumstances. The remaining fingers can stretch farther down the fretboard than would otherwise be possible with the traditional grip as a result. Trills from the root to the major seventh are now possible, and going from G to Gmaj7 is now a breeze as pointed out in another answer. G7 and G6 still necessitate a full reposition of the hand, however.

One other thing speaking for the trad grip is that it forces one to play with three fingers. Not all chord grips can be played with two fingers or fewer, and at some point it will be necessary to learn chords that do require the sort of twist shape that the three-finger G uses. If you ever want to play a diminished seventh chord, for example, this muscle memory is going to be helpful.

Other options for a good G chord exist, even down in roughly the same hand position. One of my favourites is the barre-chord version 4232, which is a lot like the partial-barre. Fully barring the 2nd fret, use the fourth finger on the G string and the third finger on the E string. This shape is actually moveable, meaning it can be played anywhere on the neck, and it moves naturally to all sorts of notes and other common chords. Leave off the ring finger to turn it into a beautiful Gadd2 chord, for example.

Another famous option is the pinky G fingering, which is still 0232 but using different fingers: 3rd finger on the C string, 4th finger on the A string, and 5th finger (pinky) on the E string. This facilitates chord changes to G7 and E7, which can now be done without repositioning the rest of the hand. It's also good practice for more difficult chords which will use the pinky finger, and done higher on the neck it forms part of another moveable triad grip (as a demo, 1343 makes this an Ab chord).

I wouldn't go so far as to say that this particular chord fingering is going to inhibit one's playing in the future, unless one refuses to learn to use the third finger or something like that. However, I think it's worth taking some time to practice doing it the normal way even if one ends up sticking to the partial barre - you never know when it may come in handy, and it's good to have that kind of twisty chord under one's belt.


Your Answer

By clicking “Post Your Answer”, you agree to our terms of service and acknowledge you have read our privacy policy.

Not the answer you're looking for? Browse other questions tagged or ask your own question.