I was watching a song video lesson earlier today and it mentioned that the guitar should be tuned to concert pitch. What does that mean? Is it different from the normal EADGBE tuning?

  • 3
    Lo, and He said, "Let A4 Be 440 Hz at sea level at standard temperature, pressure and humidity conditions", and thus a standard was born!
    – bobbi
    Oct 31, 2017 at 21:15
  • What video? There's another definition of "concert pitch" that the current answers don't touch on.
    – MattPutnam
    Oct 31, 2017 at 22:58
  • @MattPutnam Nearly 7 years later... beats me. :) If you have information the other answers don't touch on, by all means please post it as another answer.
    – Adam Lear
    Oct 31, 2017 at 23:12
  • Pitch is a funny thing. You can't always agree with standard pitch, but you cannot run away from pitch variations. I came across pianos in malls tuned sharp, which sounds brighter, and in Europe they use higher pitch. Maybe it can strain your voice, but transposing keys is a good answer in terms of comfortable singing. Some church organs today are somewhat tuned above a 440 pitch, which is something which one doesn't always agree with. It was internationally agreed to be 440hz, but not all - agreed modern tuning methods tend to be somewhat higher. Feb 26, 2020 at 11:52

3 Answers 3


"Concert pitch" comes from how symphonies have learned to deal with tuning various instruments to a common pitch over the years. According to the ISO it's 440 Hertz, which is in the A above middle C range, but, over the years it's been as low as 415, and, even after standardization, is still considered to be in the 430 range in some symphonies. And, according the the linked Wikipedia article, some Baroque ensembles are using A-415 again. So much for standards.

So, it comes from classical music, but for those of us not playing classical it has some useful considerations.

Think in terms of tuning an individual instrument without the aide of a tuner, and then that instrument in relation to another, again without a tuner:

  • If you were a soloist tuning your guitar to EADGBE you could easily tune so the guitar's notes are perfectly in tune in relation to each other. You play an E chord or an A, and it sounds fine.
  • If you tune your guitar, and there is another guitarist you're playing with but you tune separately and can't hear each other, odds are pretty good you'll be out of tune in relation to each other, though you are in-tune with your own instruments. That illustrates the problem to a simple degree and in a way you've possibly experienced.

Using an agreed-upon reference pitch AKA "Concert Pitch", such as A-440, lets you tune separately then be in pitch together later. Again, 440 is not a magic number, it's only an agreed-up value and you, and your fellow musicians are free to use something else.

I have several standalone tuners, plus tuners in one amp, and another in my Pod X3, plus one in GarageBand on my Mac. They all allow me to adjust what they should use as their reference pitch, so, once you've shared the reference value it should be no problem for everyone to adjust their particular tuner, so no excuses. :-)

For most of us playing guitar in a band, A-440 is perfectly good. Some bands like to be tuned 1/2 step or a whole step down though. Eddie Van Halen and Stevie Ray Vaughn are two I heard that liked being down 1/2 step. Rather than everyone in the band learn the songs in E-flat or A-flat, they'd tune down and play normally; It's a bit of musical sleight-of-hand that really throws other guitarists off periodically.

Tuning down (or up) can be done either by adjusting the reference frequency, or by leaving it at A-440 then using the tuner's display to track when you're at 1/2 step or 1 step from the reference. Either works, it's really what works for you. It's those less-than-half steps (microtones) that can be a problem and that force adjusting the reference.

  • Also, synths and sequencers generally are tuned to A=440, so you'll want to be in tune with them. Jan 20, 2011 at 7:40
  • Both of those devices are usually relatively easily adjusted because they use a clock or a frequency generator or something similar to base their pitch on. It's keyboards like standard pianos, harpsichords, pipe organs, or celestes I'd worry about.
    – Anonymous
    Jan 20, 2011 at 7:43
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    (Off-topic, but a sequencer doesn't have a pitch at all - it generates note signals "C on, C off" and it's up to the next box in the chain to interpret those somehow.)
    – Anonymous
    Jan 21, 2011 at 0:32
  • +1 "sequencer doesn't have a pitch at all". Good catch. I was reading "samplers" when I read it.
    – Anonymous
    Jan 21, 2011 at 3:18
  • This is a good answer to a different question, but doesn't answer the question asked. See @MattPutnam's answer to this question for the correct definition.
    – Rosie F
    Jan 11, 2020 at 11:09

Concert pitch basically means that the note A above middle C on a piano (which is the same as A on the 5th fret of the first string of a guitar) shall have a frequency of 440 hertz (Hz). So, tuning to concert pitch means that the entire guitar shall be tuned relative to an A with a frequency of 440 hertz. There are other tunings that utilize different bases for A above middle C (a.k.a. sweetened tunings--see the Peterson Strobostomp page for more information on this) and if you'll notice most tuners like the Strobostomp or the Turbo Tuner allow you to set the base frequency you will be tuning to.

  • This is a good answer to a different question, but doesn't answer the question asked. See @MattPutnam's answer to this question for the correct definition.
    – Rosie F
    Jan 11, 2020 at 11:09

Probably not whatever that video was about, but in case someone searches "concert pitch" and finds this post:

"Concert pitch" can also mean "not transposed". See here and here for discussions on transposing instruments.

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