Here is an extract from Passacaglia by Handel/Halvorsen (inspired from Handel)
The score is here just in case : https://sheets-piano.ru/wp-content/uploads/2016/11/Handel-Halvorsen-Passacaglia.pdf
At measure 42, is it the intention of writer/should we play the A of right hand during the full measure, or should we stop playing it in the rest of the measure once the left hand is playing the A.
That is : should we play : right hand : A until the left hand plays the A, and immediatly after the A from the left hand, stop playing the A for the rest of the measure ?
Of course, I could put again the right hand at the same time of the left hand, but it would be complex for free. ->Is it an intention of the writer to write in this kind of way ?
My question is generic because this idea appears sometimes, in many scores: should we keep the note played by a given hand when the other hand "replaces it" during one note ?