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I've been learning to sing for a year, and I noticed some great improvements, but there is one thing that happens to me that is totally strange: When I listen to songs, there are songs that I can "understand" right away and then I can sing them with the right notes after practically a few plays.

There are other songs that maybe I have known for a long time, that no matter how much I listen to them I can't sing them and I can't "understand" them at all (I sing them totally wrong).

Is this normal for a beginner?

For instance: Passing Afternoon by Iron & Wine is one of the songs I struggle with the most (I'm a 24-year old male).

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    It's a good idea to learn to play an instrument at the same time - you'll have a far better understanding of how music works then.
    – Tim
    Commented Sep 4, 2022 at 10:08
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    @Tim yes i'm learning guitar too !
    – Marià
    Commented Sep 4, 2022 at 10:49
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    What's the nature of the songs that you "sing totally wrong"? Do they have really fast notes? Are they atonal or at least heavily chromatic? Do they switch keys too often? Do they have prominent countermelodies you wish you could sing at the same time as the main melody?
    – Dekkadeci
    Commented Sep 4, 2022 at 15:20
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    @Dekkadeci well i cant tell you why those are so hard for me but i can give you exemples of song i find impossible to sing: Passing afternoon by iron and wine , ghost by justin bieber i really can't sing them . instead songs like "little things, tusk till down , yellow (coldplay) i can at least sing decently/good ( ps if this matter i'm a 24yo male)
    – Marià
    Commented Sep 4, 2022 at 15:33
  • Could be range, but that's mentioned by other comments already. Could also be intervals - some intervals are less familiar and harder to get the hang of. Also, a song with an uncommonly fast or slow tempo might feel unusual and take longer to get the hang of. Commented Sep 29, 2023 at 22:28

4 Answers 4

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Don't worry—this is completely normal and extremely common, especially at this early stage of your training. With only a year of lessons, you're still developing your understanding. Remember, knowledge is only power when applied through practice. So, never stop training!

Consider American Idol as an example. Notice how rare it is for contestants to excel outside their primary genre (country, pop, rock, jazz, etc.). Music is a creative expression built on subjective principles.

All successful musicians have an innate talent or 'DNA' component enhanced by proper training. The exceptions are very rare—that's what makes them exceptions. For the majority, including most of us, we seek top-notch education to refine our skills. Proper training protects your instrument and provides the discipline that leads to freedom in conveying a song's story effectively. It may sound counterintuitive, but greater freedom in any field is inseparably connected to discipline. Don't let anyone convince you otherwise.

Connecting emotionally with a song is crucial. That's why we have various genres and passionate fan bases. It's okay if you can't quite 'feel' a particular song or genre yet. With discipline, you can learn to sing it, but if it doesn't resonate with you, your audience will likely sense that.

Consider successful crossover artists like Kelly Clarkson, Carrie Underwood, or Adam Lambert. While they can sing almost anything, their performances in unfamiliar genres often become more 'pedestrian' compared to their preferred styles. When they perform in their element, they truly shine.

Another example: listen to famous singers who've released albums outside their usual genre. Notice how the arrangements often lean towards the artist's signature style rather than the original. They're usually met with mixed reviews because the genre isn't quite as satisfying to purists. Take Beyoncé's latest country album—it's not typical country, but it's infused with her signature style. This approach satisfies her existing fan base while attracting new fans who appreciate her take on country. Her style is imposed onto the genre, not vice versa. You know it's her from the first second because everything about it reflects her artistic DNA.

This principle applies to all art forms. A trained ballet dancer might struggle with hip-hop or jazz, often gravitating towards modern dance as it's closer to their classical training. Ballet is so disciplined that a choreographer can verbally call out steps, and the dancer can create the piece without a demonstration. Similarly, in classical singing, every note resonates perfectly. High-level training in one style can make it challenging to adapt to others, as you've trained out the tricks and shortcuts used in less formal techniques.

In conclusion, don't worry about mastering every style. Focus on your strengths and the genres that resonate with you. We all gravitate towards certain styles—forming fan clubs, social media groups, and attending events. It's part of our nature as a social species. Listeners appreciate artists who consistently deliver within their chosen genre, as it allows for a deeper connection with the music's message and delivery.

While it's valuable to have a well-rounded understanding of various styles— diversity in knowledge can open doors to greater expression, but always stay true to your authentic voice.

Authenticity is key. Like Beyoncé, successful artists know who they are and stay true to what resonates with them. This authenticity is the “magic” that attracts listeners because they believe what the artist is singing about and feel the music.

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Slightly unusual, maybe! My experience is that when a singer learns by imitation, there's little distinction between 'hard' and 'easy' (as long as the song is in their vocal range). It's when reading notation that a complex song becomes 'hard'.

Maybe you're trying songs that AREN'T in your vocal range. If you're a female soprano, you might have to re-think a James Brown song!

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  • Thanks for your answer! Well i give you some instance: i can get "little things the one written by ed sheeran for 1d " very fast, and i sing it quite well. I'm really struggling to sing "passing afternoon by iron and wine , i really can't get it no mutter how much i try!
    – Marià
    Commented Sep 4, 2022 at 15:30
  • Passing afternoon doesn't seems to be this "super high difficult" song , but for me is nearly impossible to sing.
    – Marià
    Commented Sep 4, 2022 at 15:35
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I've noticed it too, and it isn't always a matter of range. A song that follows familiar patterns (melodic, harmonic, rhythmic...) is more intuitive to navigate than one that uses patterns that I'm not used to. Some songs out there are very not-intuitive to me, especially the deceptive ones that seem like they should be following a familiar pattern but instead they go and wander just a little bit away from it.

So based on my limited experience, I'd assume this is relatively common.

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Your query and Divizna's response caught my attention; likely because this morning I had a conversation about "intuitive" elements and how they may influence those who consume and those who create music. I have similiar experiences reproducing decent renditions - especially those I learned by imitation at a young age. You have been offered good comments about range, intervals and countermelodies and encourage you to explore these further. I'm thinking this difficulty is fairly common, and may well be rooted in our natural tendancy to use cognitive, emotive or intuitive responses ... Sing "a song of sixpence, a pocket full of rye, four and twenty blackbirds baked in a pie. When the pie was opened the birds began to sing—"

Sing on the sunny side :)

Cheers!

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