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Sometimes in a cadence between V7 and I there's a moment when an anticipated tonic root in the bass given on top of suspended 7^2^4^ from the V7 (triple suspension?). Two examples:

  1. Beethoven op 10 no 1 mov 1, m. 104 (end of exposition),

Beethoven op 10 no 1 mov 1, m. 104 (end of exposition)

  1. Robert Schumann, op. 13, theme, m. 8 beat 1,

Robert Schumann, op. 13, theme, m. 8 beat 1

How do you notate it in Roman numerals? And what's its name in English, since it looks like a pretty standard device? (much like Cad64 but on the other side of the dominant)

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    The topmost example actually reminds me of polychords. Beethoven's Piano Sonata in E♭, Op. 81a (Les Adieux) has another example of tonic-dominant polychords according to chromatone.center/theory/harmony/polytonality.
    – Dekkadeci
    Apr 30, 2023 at 14:43
  • The bottommost example resembles tonic pedal usage more, though, so I hesitate to say that this overall chord progression has a name.
    – Dekkadeci
    Apr 30, 2023 at 14:45

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