How to embrace the metronome after years of bad habits?

Question

Background

I have been dabbling in guitar for over 20 years. I have decent dexterity, technique, and musical theory. However, I don't count time and never use a metronome. I always sound like a weak version of the spotlight guitar solo at a concert, doling out licks, scalar runs, and 'neat noises'. I know very few songs, and am a weird hybrid of "expert level" and "novice".

In all honesty, I live in abject fear of playing with others, because of my idiosyncratic sense of time.

The good news is that I am musical: I am an intermediate on piano, having learned "the right way", using the metronome, and I love it.

Question

Clearly, for guitar, I need to start working with a metronome, but what are some effective techniques to overcome decades of bad habits?

e.g. Do I play scales, counting triplets and 16th notes? Should I just jam to backing tracks on YouTube? Perhaps just pick a single song and truly learn it all the way through? I realize all of these are plausible suggestions but I am looking for proven tips from those who have been through this journey.

Answer 1

Yes, play scales, arpeggios, chords, all that good stuff. Play eighth notes, play triplets. Play slowly.

I can't emphasize that last part enough. When you play fast, your timing "idiosyncrasies" are masked by the tempo and speed. But when you play slowly, all your timing issues show up like a zit on prom night. Set the metronome to 72 bpm and play scales in eighth notes. Then reset the metronome to 76 bpm and repeat. Then 80 and repeat. Be disciplined and listen to yourself carefully---make sure you're playing with the metronome. Resist the urge to rush; this is practice, after all, not performance, and you're not trying to impress anyone.

Another suggestion: use a basic drum machine to make patterns you can play along with. As a jazz player myself, I have a GarageBand loop set up with a simple ride/hi-hat pattern that I can practice to, just to get myself used to hearing the beat in that context.

Finally: learn other players' solos and play along with them. Pay close attention to their timing and get it right. This can be really hard, but it's ultimately very rewarding.

Answer 2

Metronomes will help you keep a beat, but I find them booooring. Instead, I use Garageband and set up some different drum patterns. They're more interesting. Plus, you can set up other instruments if you want, and write simple songs.

You can even do polyrhythms or complex time signatures by using two different time signatures together, or snippets from one signature followed by a different signature.

It doesn't take sophisticated software or a lot of time, just something that doesn't distract you from counting, while letting you have fun and keeping your attention.

Something else that helps is to work with a drummer and have him help you. A good drummer always has the beat in his head and he could show you what to listen to as he's playing, either his kick or his snare or maybe a cymbal.

Answer 3

Saw Victor Wooten talk about metronome work, and his suggested method is to take a repeating riff, set the metronome for a time and play along, then drop the time in half so instead of having it be 1 2 3 4 it is just the 2 and 4. (Or 1 and 3.) Then drop it in half again so you just have the 1. Then shift it to "and-a" or something. The goal is to make you have the good time, as opposed to Alex's, which is there to give you more speed. More speed is good, but not quite what the OP is asking about. A video can be found at: http://www.korg.com/ProSessionDetails.aspx?ID=647

Answer 4

I've never used a metronome either, but I have a pretty good sense of time. However, I play solo most of the time anyway...

I would recommend standard exercises... scales, 4/4 and 3/4 simple strumming patterns, etc. Work slow and take your time. Likely to be boring but then most exercises are.

A program like "Band In a Box" is excellent for this sort of training as you can put down a simple chord progression and tweak it anyway you like; faster, slower, more chords, more instruments... A handy tool.

Answer 5

Musical pulse is a fundamentally physical experience. So, incorporate as much of your body as possible -- even putting down your instrument if it helps you move more.

Tap your feet, stomp your feet, march, walk, sway, drum on a table, clap, swing your arms, bob your head, dance, vocalize -- all along to the metronome (or drum machine, or music, or whatever). This is great for developing a steady pulse and practicing rhythms of all manner of simplicity or complexity.

And it makes the dry exercises more engaging.

I highly recommend The Rhythm Book, by Richard Hoffman.¹ The system it presents, and the progressive nature of the exercises, were an invaluable tool for me as a student, and I have seen it do wonders for others.

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¹ There are several books with the same title, so make sure it's the one by Richard Hoffman.