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Title pretty much says it. I am barely an armchair composer, but I would like to try my hand at some game music that requires some nautical theming. It seems to me that penny whistles and a celtic feel are close - but I would like to know what sort of keys and progressions I should be using to write original nautical music.

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I've had a go writing some nautical-sounding music for games before. Andrew's answer about using Dorian is helpful - here's a few other tips I have.

  • For a piratey sound, accordions work well. They're characterised by a stride bass pattern (bass note on beats 1 and 3, chord on 2 and 4)

  • the folk-style melodies are heavily swung, lots of dotted notes.

  • Sticking to really simple folky chord sequences works well for a shanty sound. Try

    • 4/4: | ii - - - | I - - - | ii - - - | ii I ii - | (like in "Drunken Sailor")
    • or . | I - - - | V - - - | I - - - | IV V I - | (for a happier tune)
  • For more of a Royal Navy feel: penny whistles, snare drums, straighter rhythms. "Sailor's Hornpipe" is worth a listen.

  • If you want to put drums in your pirate tune, something like a bodhran would probably sound most authentic.

  • There are two things I noticed apart from Sea Shanties, for more "Adverture Pirate Music" like in Pirates of The Caribean, and others. They have something of a triplet fell, that is often not showed in 60% of the melody, but then in the end of a section you can see the melody "speeding up" to fit the lyrics (think of the "Merrily merrily" part of Row Your Boat, or the "fiddle-dee-dee" from the chorus of the You Are a Pirate meme). Seems like a common pattern having a melody rhythm like long-long short-short-short-short, long-long short-short-short-short (or the opposite) – ViniciusPires Sep 16 at 15:04
  • Another thing to notice historically is "why" those songs were created. Most "Sea Shanties" are made to keep the boat crew synchronized in daily activities like rowing, carrying heavy weights, etc., so they have an "intention" to keep it simple, and always creating a feeling of going forward in little repetitions. Notice that the melody almost always starts on 1, evades 1 during the 4 bar progression, and resolves on 1 every 4 bar cycle – ViniciusPires Sep 16 at 15:15
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The first thing that comes to mind is the mode or scale. A "generic" tune in those genres may often be in the Dorian mode (not the Greek version), either original or in transposition. Notably, the mode has the feel of a minor scale but without the leading tone (and with a raised sixth scale degree, when that note should arise). So, the typical dominant to tonic "circle of fifths" progression is a minor triad to minor triad, unlike in typical tonality. The raised sixth scale degree compared to natural minor can give the melody a fleeting Major feel when used.

The use of Dorian is by no means absolute of course, nor is it the sole generator of the style you seek. Meter and rhythmic patters depend on which style you are trying to emulate, for instance. Instrumentation also contributes to the character of the music, but it is certainly possible to have an entirely vocal composition in the styles you seek.

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    I felt compelled to add the perfect example of a mainly Dorian pirate song and...look, a three-headed monkey! – wizclown Jan 24 at 19:11
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Many folk songs are simple and based on pentatonic scales. These songs historically were passed aurally (by listening and repeating), so they needed to be simple enough to be remembered.

The most basic pentatonic scale follows scale degrees 1, 2, 3, 5, 6 (and 1 and octave higher).

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I believe 12/8 time shows up quite a bit in "piratey" music! I've seen this counted as both 12/8 and as 4/4 with triplets.

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People seem to associate the 3/4 time signature with water, especially when the 1st beat is accentuated and the rhythm is fairly slow, mimicking the movement of swimming. Check out the music in the water levels in the Super Mario games, for example.

Both the Dorian scale (minor with a raised 6th) and the regular major (Ionian) scale sound kinda piratey.

For a semi-diegetic approach, basically play an Irish-sounding tune on accordion, with swung notes in either the dorian or ionic scale.

For a non-diegetic approach, add some strings and use a 3/4 time signature with a heavy accent on the first beat and a melody in the dorian scale. Snare drums or even toms could be used as well.

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