Given a construct of intervals as follows:
1,#2,3,4,5,6,b7 (Dominant #2 first position)
For the purpose of general notation, as the #2 is equivalent to a b3 and the 3rd is still present, would this be classified as a major key with the raised second as the accidental since attempting to classify it as a minor would leave you without the second interval? As I understand it, your general key is derived by the root triad at the first tone. However if you have both 3rds present, is it a matter of first 3rd reached in the interval stack that determines key?
Given that I would assume a Dorian b4 is minor even though the b4 falls upon the major interval and using it in any other way effectively negates the 4th.
1,2,b3,b4,5,6,b7
Would the same logic apply for 8 tone Spanish?
1,b2,b3,3,4,b5,b6,b7
Am I incorrect in these assumptions?