4

If the piece's time signature is 4/4, and its shortest note is sixteenth. Should I set the metronome the same speed as sixteenth note, or quarter note? Why?

  • What's the time signature of the song? That should designate what note gets the beat and how you describe the bpm, not the shortest duration note. – Dom Dec 25 '15 at 1:11
  • 1
    At a guess, the tempo is marked as ♩ = 60. Set the metronome to that. – user16935 Dec 25 '15 at 1:13
  • @Dom The time signature is 4/4, and the tempo is ♩ = 60, as Patrx2 guessed. – wang zhihao Dec 25 '15 at 2:36
  • @Dom I've reworded my question, hope it's clearer than before. – wang zhihao Dec 25 '15 at 2:42
8

In general, setting the metronome to sixteenth notes for a typical piece will only be useful when you are trying to figure out an intricate rhythm in ultra-slow motion. Once you move from the "figure-out" to the "actually practise in style" phase, you'll very likely want to use the "denominator of the time signature", like 4 in 2/4, 3/4, 4/4 beats or 2 in 2/2 beats. For some rhythms, it makes sense to go even coarser, like 2 beats per 6/8 measure or 1 beat per 3/4 measure (Viennese Waltz).

It may be helpful to use a "drum pattern" from an arranger rather than a metronome when available: those offer finer subdivisions for orientation without losing the "big picture" like a metronome does.

8

It depends on what you're trying to accomplish. If I'm trying to work on accuracy in sixteenth notes, I set the metronome to a sixteenth note (or eighth notes). If I'm trying to work on the bigger flow of the piece, I set it to quarter notes. Sometimes I turn the metronome off (or to a very slow setting) and work on the "big" beat (i.e. each measure).

The metronome is a tool to help you improve the accuracy of your timing, and you should use it in whatever ways help you best.

2

If the time signature is 4/4 that tells you that a quarter note gets one beat and that there are 4 beats to a measure. If the time signature was 3/4 that tells you that a quarter note (indicated by the second half of the time signature) gets one beat and there are 3 beats per measure.

If the time signature is 6/8 then that tells us that an eighth note gets one beat and there are 6 of those beats per measure.

So if you simply want to follow the meter designated by the composer, then you would set your metronome to the same speed as the note that gets one beat as prescribed in the time signature. In 4/4 time that note is a quarter note.

So if the time signature is 4/4 and the tempo is marked as ♩ = 60, then you would normally set the metronome to 60.

Sometimes for practice purposes, you might set the metronome to a slower speed that will permit you to play the piece accurately during practice. Start with a speed that allows you to quickly get to 100% accuracy and then gradually increase the speed until you get to full tempo.

There may be other situations involving practicing the piece where you might use a different setting on the metronome. If it helps you learn the piece to practice it with the metronome set to twice the indicated speed (eight note gets one beat and each measure has eight beats), then I suppose you could try that as a learning tool.

But the short answer to your question is that common protocol would indicate setting the metronome so that the beat is equal to the tempo prescribed for a quarter note in 4/4 time.

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A big thing with drummers now is the distinction between micro-time and macro-time. When practicing, you can set your metronome to work on one aspect or the other. (I've never heard anyone but drummers talk about this, using this specific terminology, but I imagine this concept would be useful for all musicians regardless of their instrument.)

Setting the metronome to click on 16ths would be zooming in to work on your micro-timing: are you subdividing accurately?

Conversely, setting the metronome to click on whole notes would be zooming out to work on your macro-timing: are you feeling a steady pulse/tempo?

For a challenge, drummers will play to a metronome such that the click is not on the beat. The easiest is simply hearing it as an upbeat, ie on the 'and'. More difficult is hearing it on the 'e' or 'a'. And the macro version is to hear the click on any beat other than the downbeat. This prevents you from relying on the metronome as a crutch because it forces you to really feel the music, not just follow the click. (A bit off topic, but useful and interesting nonetheless.)

0

Generally no. You might set it to 1/4 notes, 1/2 notes, whole notes or even less. It depends on tempo. It's usually comfortable to have the metronome somewhere around 60bpm, but you might set it somewhat slower if you want to work on your ability to maintain time. (I used to practice having a very slow metronome that clicked every few bars, which is quite challenging.)

16 notes would be very fast for most music and quite irritating. You want to develop your ability to play the various subdivisions accurately while holding tempo. A slower tick generally helps this more than a fast one.

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