As of in the title, I'd like to record my acoustic drumset fairly cheap, but I have no idea of what I need to buy to do it.

My drumset is made of:

  • hi-hat
  • snare drum
  • 2x Tom's, and a floor Tom
  • kick
  • 2 crashes, 1 ride, 1 crash/ride, 1 splash

Now I only got a MacBook Pro with Logic Pro X

Have you got any suggestions for me?

1 Answer 1


Yes. Get two identical mics, condensors if you can afford them, if not then SM-57s. You also need at least a two channel audio interface with two or more mic preamps. Bare minimum total is about $300 - $400 (US) new. If you can afford more than two channels with more than two mic pres and a third mic, that's even better. A kick mic like a D112 will be fine for the third but an SM7, RE-20, or MD-421 would be best if you can swing one of those for mic three.

Do a web search for "recorderman mic technique" or "recorderman overheads" to find the complete guide to this mic setup. It's a modified Glyn Johns technique that gives a great stereo spread and full sound with solid time alignment with just two mics. Basically you position one mic over the hi hats, another behind the right shoulder of the drummer, and you use a piece of string, rope, or even a cable to measure and match the distances from the mics to the kick and share.

If you have three mics then put the third on kick, but not right in the hole. Give it one to five feet and just move it around until it sounds best.

If you can afford more mics and channels, then either one or two room mics if you have a good room and want that sound, or start doing spot mics on snare and toms. You can use SM57s or 58s for these, or MD-421s if you can. I like a large diaghram condensor on snare but that's moving into higher budget territory.

Overall, start with fewer mics of higher quality that you can keep and use forever (my oldest mic is the first one I got: SM-57 from 20+ years ago and I still use it) and you can expand your mic locker through the years until you have a pro collection.

Start by researching the recorderman technique.

Edit: here's a link to a good guide to recorderman miking: http://jonstinson.com/the-recorder-man-drum-miking-technique/

Salient points:

  • first mic over the snare (maybe a little over the hat) pointed right at the snare two drumsticks away from center of the snare
  • second mic behind the drummer over the opposite shoulder pointed at the snare center also two drum sticks away
  • use the kick pedal to clamp a cable or string to the kick head, run the cable/string up to one mic, then down to the center of the snare head and hold it there. Take the point on the cable touching the mic and move it over to the other mic and make sure the distances are the same. Adjust the mics slightly until they match. Normally two people are needed for this part.

The reason I continue to use this technique for overheads, even with lots of spot mics on the kit pieces, is that it gets the kit very well without relying on a good room. The most expensive part of awesome drum sounds is building or renting a great sounding, large room. With recorderman I've gotten great sound in a small, tin-lined storage space. Actually a great drummer is the most expensive part, then a great room. I'll take a great drummer and two SM-57s in a plastic shack over a flat sounding drummer who can't tune drums and a dream mic locker at my choice of studio every time.

  • 2
    This seems to make the point that there's no 'cheap' way to do quality recording. And I believe it's right. Add up the prices paid, and I know that it's the way to go - I have most of this kit - and there is no cheap way to quality record. And that's just drums! +1.
    – Tim
    Aug 18, 2016 at 18:57
  • 2
    @Tim depends on what you mean by "cheap". $1k for the laptop, say $400 for mics and interface and sundries (cables, Reaper), and maybe a little something for a place to play in, and you could do pretty well for only $1,500. Compare that with any decent amount of studio time and it seems like a bargain. What people should really take away is the technique is the most important part. Some of your (by "you" I mean anyone reading this) favorite recordings were done with a few mics and a four track tape deck, almost certainly. Skills trump gear every time. Aug 19, 2016 at 2:17
  • 1
    Yep, on the low end, I would think. First, the PC and sound interface is a given, so if that is too expensive, then don't bother and use your cell phone. And yes, the technique and all the dynamics involved is quite interesting.
    – blusician
    Aug 19, 2016 at 4:24

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