1

Can someone more advanced help me with something? I am self taught and have been playing for over 2 years now. I train in the classical way but have fun with all the other stuff like blues and jazz... Lately, I am at a point where almost all chords, modes, scales are known to me well but need a bit more regular practise. I have practised a lot for the last 2 years but not played that much music yet... I know maybe 15 easy/medium pieces by heart. When I play these pieces, sometimes I lose them and get it wrong. I know they are in my fingers and in my head but it can be like night and day!! Can anyone advise me on what's happening?

2

I think, like a lot of self taught players, you are learning each one verbatim. It always starts like this, goes like this in the middle, and ends like this. When you start to play with others, you'll find that they too have their own way of playing a particular piece. And often, it's not the same way as yours.

Try to compartmentalise pieces - they are often written with verses, chorus, middle 8, bridge.Change the order you play those in, and be aware of how one section morphs into another. Change them about, so you know the piece starting half way through. Use different tempos, different rhythms, just because you can.

Playing with others will make you realise that there needs to be some give and take, so you'll end up analising the pieces from a different viewpoint. At a gig last night, someone came on and played a song I've played for years. He did it 'wrong', as in it was different from the original version, leaving out a bar somewhere, and putting an extra one in somewhere else. On purpose or a mistake? Never asked. But needed to change my way to fit his, 'cos it wouldn't have worked vice versa! So, mentally, on the fly, an extra bar was put in the next time around, etc. Those who learn a piece from top to bottom tend to get lost at times like these.

Try changing the voicings on the accompaniment, try changing a chord here and there, starting by making a major into a 6th, or 7th. Listen to how it works - or doesn't! Record yourself, and play along with it, using a different octave, or bass line. Move away from the strait-jacket!

  • Thanks Tim, I do learn pieces in different bits as you mention. I like your idea of working different octaves. I think because I've practiced so hard that playing music with a meaning is a skill I need to acquire. I practise with feelings but do not play with feelings. I spent a few hours experimenting with that yesterday and it seemed to work better by changing sounds and speed and the way the piece could be played.... I think it's time to tip the balance with more experimenting and a bit less practice – user33232 Sep 11 '16 at 13:08
  • Would I be right to say that you practise until it's note perfect? If so, that is one way, but there's another. Practise until you know what the music is doing, until you can change bits without losing your overall way. – Tim Sep 11 '16 at 13:37
  • Correct. That's what happened yesterday. When I changed the music from a "theoretical" point of view, keeping notes for longer or less time louder or softer, looking for changes and expression it was fine and I had fun. I realised I actually knew the piece very well as I could change it at will... But when I chose an expression and concentrated on playing what I was feeling, it stuttered.... I persevered and it worked well today. It seems that heavy practice, concentrating on technique left the most important bit behind: expression through a musical instrument...thanks you help confirmed that. – user33232 Sep 11 '16 at 14:07
0

It sounds like you may be relying on muscle memory instead of "best" memory where you engage active thinking along with muscle memory. You should actively think about the "sections" of the piece, how they relate to each other, what the composer intended here, and whatnot. It helps to just sit down and look at the piece without playing it. If you have some time, it might be worth it to invest to learn some music theory so you can learn some basics about harmonic progressions and learn to identify them in the piece, and always have a basic sense of where things are moving.

Another thing I found helpful in really committing a piece to memory is to sit anywhere BUT a piano and imagine myself playing the piece (you can move your hands and fingers; feet if you need pedal). You may realize you need the physical sensation of the keyboard more than you realize, again pointing to muscle memory, which is unreliable in the long run.

Good luck.

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy

Not the answer you're looking for? Browse other questions tagged or ask your own question.