Until very recently I'd though a chord was any group of notes played together.

However, I just heard a chord defined as "three or more notes played together."

If this is the case, what should I call just two notes played together?

  • This probably answers your question: music.stackexchange.com/questions/14320/… and this might be a duplicate. – Old John Dec 22 '16 at 22:48
  • @OldJohn so basically, the person who said it was three or more was wrong? – theonlygusti Dec 22 '16 at 22:53
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    Not necessarily wrong - some people allow 2-note chords and some people insist that a chord has three or more simultaneous notes. It is more a matter of terminology rather than right or wrong, I believe. – Old John Dec 22 '16 at 23:00

From my experience, there is no one 'best' term for two notes played together that is universally (or near-universally) agreed-on.

dyad is the most specific term for a pair of pitches sounding together, but it's not commonly-used.

interval works for many, but others will say that is a term for the distance between the notes, rather than something that refers to the act of playing them together.

some will say that chord is fine for two notes, and that seems to be the case for specific usages like the term 'power chord'.

on stringed instruments one may talk about playing a double-stop, although that's a reference to the playing technique rather than the pure concept.

So basically, whatever term someone uses, you have license to be a bore and tell them they're wrong.

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    Note that a harmonic interval specifically means two notes at the same time, where melodic interval means two following each other. Though I'd argue that interval refers more to the space than the notes themselves. It depends on context. – CAD97 Dec 23 '16 at 23:21
  • FWIW I've heard the term double-stop referring to two (side-by-side) notes being played simultaneously on a diatonic harmonica (e.g. draw 4 & draw 5 played together, but maybe the term was borrowed from guitarists); also octave, referring to two notes being played simultaneously at an octave interval (e.g. draw 2 & draw 5 played together w/ tongue blocking holes 3 & 4). I guess that confirms your last point :-) – Mathieu Guindon Nov 17 '17 at 20:50
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    @MCMastery maybe a modesty thing... just because you can do a quadruple stop doesn't mean you have to shout about it? :) – topo morto Nov 18 '17 at 8:52
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    @user45266 'dyad' it is then! (This question has a lot of views so perhaps we can take the credit if the word's getting more common :) – topo morto Oct 10 '18 at 10:07
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    @jdjazz I wonder if two-part harmony (dyadic?) is an oddly unexplored area in music due to the triad becoming such common currency. – topo morto Jun 11 at 16:48

Ultimately there is no unanimous definitions for these words, so it's useful to know how they can be used.

One definition has a chord being three or more notes. This means that having only two notes wouldn't be a chord but would be an interval.

As someone else pointed out, power chords are a thing and consist of only two pitches (though they may run through several octaves). It seems entirely reasonable to call such an interval a chord since it is functioning as one. Which leads us to a definition based on function.

If your note aggregate under question functions as a chord in terms of voice leading and harmony then it would be a chord and an interval could then also be a chord. But, just having three notes sounding at the same time would not necessarily be a chord if they are not functioning as a chord re voice leading and harmony. Such a collection would just be a note aggregate or potentially a cluster.

In summary, you can define chords in terms of numbers or function. An interval is always two pitches (though they can be the same exact pitch!) and can be considered a chord in certain circumstances/definitions. Under other circumstances having three or more notes might not be considered a chord but an aggregate or cluster (or even more confusingly a cluster chord!)

You'll hear and witness any and all of these usages so it's good to be aware of the many different ways these terms are used.


A Chord is what happens when you play or sing more than one note at a time. 2 note chords are called partial chords. 3 note chords spaced by thirds and fifths are called Triads. Triads are not ambiguous. e.g. CEG is an unambigous C Major triad. The idea behid so called partial chords is that thay are ambiguous. For example C and E are notes in both the C Major (CEG) and A Minor (ACE) triads. CE is a partial chord with no name.

A special case of this is so called '5' chords which do have a name. G5, for example is comp\osed of the notes G and D. It's called G5 because it contains the root G and its perfect fifth D. Since it has no third to tell whether it's Major or Minor it's still ambiguous. Rock Guitarist like these chords.

Just to be super clear: partial chords are bits of triads (usually), and Triads form the "cores" of larger chords (like Am7).

  • This may be how some use the terms, but it's far from universal. – Scott Wallace Oct 10 '18 at 10:08

In addition to @topomorto's answer you could also use "implied harmony." For example, G over B moving to E over C (all naturals) implies a G major chord going to C major even though the fifths of the chord are missing.


Melodic and Harmonic intervals:

“Melodic” means played one note at a time, either ascending or descending in pitch. “Harmonic” means both notes are played together.


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    Welcome to Music Stack Exchange! Please note that we have some rules about copying content from elsewhere. – Glorfindel Oct 8 '18 at 17:22

The actual answer is "An Interval." Of course, that isn't a complete explanation. An interval may appear on its own or as a representative of a chord. For example the interval C-E by itself is just a major third. In a piece of music it could stand for a C major chord, and A minor chord, depending on the voice leading. It could just be an incomplete chord. A fifth C-G can, with enough distortion be a Power Chord representing C major (or minor).

  • How does that work? I play power chords all the time, but never actually knew that they were such a special case. Does the distortion generate an extra pitch or something? The major or minor third? Why do you note them at the end as being something different to an interval, even though they are just two notes? – theonlygusti Dec 22 '16 at 23:30
  • @theonlygusti distortion does indeed generate extra harmonics; whether or not you'd call them extra pitches is debatable, but a distorted open fifth can sound bigger than a lot more notes played without distortion. – topo morto Dec 23 '16 at 0:00
  • Distortion adds overtones, both harmonic and inharmonic. So full chords get muddy. Single notes, fifths or octaves sound clearer. Or you can exploit the muddiness by playing full chords and going for a 'wall of sound' thing. – Laurence Payne Dec 23 '16 at 14:29
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    The trouble with calling two notes played together an "interval" is that "interval" is usually used to mean, not the actual playing of two notes together, but the distance between two notes (specified by, say, "major third" or "5/4 ratio" or whatever). I think it's less ambiguous to just call any two notes played together a "chord", and then further specifying what kind of chord it is (unison, octave, major third, major triad, etc.). I doubt this will catch on, but as I said above, it doesn't really matter, as long as it's made clear what is meant. – Scott Wallace Dec 26 '16 at 13:33

Yes, the nomenclature is not perfectly agreed upon. But we simply have to deal with that. How about simply stipulating what the tones are, and not agonizing over whether it's an "interval" or a "chord". The definitions are not going to help tell you what it "is".


When teaching young students, just call them all chords and explain that two note chords have lots of different names. Then get on with it.

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