Having some trouble understanding the best way to score piano when a melodic pattern is played across both hands...
Here is the first bar of the section in question, arranged on separate staves, and then again using cross staff beaming. I am struggling to see which would be better to implement. Is there a rule for which one to follow? Also, if the cross staff path is the correct one, is it necessary to include rests in the bass clef?
If there is a far superior way to notate such a passage, I'd love to know.