What should an almost empty measure look like in 5/2 time?

Question

I am working on an exercise where I am given a few empty bars along with a time signature; and I am to fill it in with rests following the standard rules.

In 5/2 time, I am given 4 measures, each with a single note. they are, in order,

half note, whole note, dottedwhole note, and quarter note.

Since I do not know any way to group the beats, I was left with no choice but to write the first measure as:

half note, half rest, half rest, half rest, half rest,

the second measure as:

whole note, half rest, half rest, half rest,

the third measure as:

dotted whole note, half rest, half rest,

and the fourth measure as:

quarter note, quarter rest, half rest, half rest, half rest, half rest.

But this looks odd to me; and I have never seen anything like it. Is this the correct way to fill the measures in with rests?

Answer 1

The convention in 5-time is to group the beats either in a 3-2 or 2-3 pattern, depending on where the musical emphasis goes. When filling out a measure, it is desirable to use the largest notations that express the division. However, in this case, it's a bit visually confusing for a measure to have both half and whole rests. Thus, for the exercises in question:

X: 1
T: 
K: none
M: 5/2
L: 1/2
[K: clef=perc stafflines=1] B z2 z2 || B2 z3 || B3 z2 || B/2 z/2 z2 z2 ||

Answer 2

I have seen examples of dotted measures, but this is often hard to read, as it is not easy to see the dot combined with a measure. The most common is to fill out with rests separately. Since the whole rest is usually used to notate rest for the entire measure, no matter what the time signature is, you are right to fill out with half rests, as these are the largest rest value you have for using in part of a measure where it is not rest for the whole measure.

Since rest is just meaning "do not play", you do not need to combine them in any way, as you would need for notes. If you do the same for notes, you need to tie them together, because otherwise it would be separate notes played each with a new stroke. For rests, this is not necessary because two separate rests sound the same as one combined rest with same total duration (i.e., two separate quarter rests is exactly the same as one half rest). Because of this, there is no concept of tying rests together.