# What is a correct sequence of notes in Chopin Prelude in F# Minor, Op. 28 No. 8, played slowly, both hands?

What is a correct sequence of notes in Chopin's Prelude #8 when playing slowly? How should 32nds be played against a triplet of 16ths plus and 8th? It seems that there are no together played notes in both hands like some tutorials advise (except the first). Should it be played like together-right hand-left-right-right-left-right-right-left-right-right, or how?

There are, but that's not the point of this piece.

As long as you play this prelude slowly enough that you can distinguish these cases, it's way too slow for the intended effect. Once you've managed to reach the proper agitato speed, all that matters is that the first note of each beat should be simultaneous for both hands, and the second large note of the right should come after the lowest bass note. The small notes have to be as fast as possible in order to fit between those notes at all. Neither the player nor the listener will be able to perceive the exact timing between those notes anyway; the effect to achieve is that of a haze of chord notes.

(If you examine the score mathematically, you'll see that there are two more simultaneous notes in each beat: the lower bass note and the 5th demisemiquaver. But as noted, the point is not to hear this; if you can, it's not agitato!)

• But how is it possible to have more beats than a time signature should have? When composing a piece with a program, this shouldn't be possible too. In the bass staff you have more beats than in the treble staff. There are 3 semiquavers and one quaver. If you multiply this with 4 it has way more beats than common time should have. Commented Jan 6, 2018 at 9:08
• However 5/32 = 2,5 /16-s notes, so how have you calculated that 5th note in right hand corresponds to the last lower bass note in the left? However first note in the right with a dot prolongation it shifts somehow situation, i guess Commented Jan 6, 2018 at 10:55
• @player777 The 16th notes form a tuplet, as indicated by the 3 below. That means that they only have 2/3 of their normal length. Commented Jan 6, 2018 at 17:02
• There are NO extra notes in this piece. Your eyes are deceiving you. RIGHT HAND 1. There are 4 beats in each measure. (2)There are eight 32nd notes per beat (this equals thirty-two 32nd notes in each measure). (3) each set of dotted eighth and sixteenth notes are equal to 2 eighth notes(or four 8th notes in a measure or four sets the dotted 8th and 16th note. LEFT HAND= Each "triple 16th note" is equal to one 8th note, plus the 8th note barred to the triple=1 beat each set, therefore, together equals one beat (or two 8th notes) I hope this helps. Commented Jun 17, 2021 at 0:45

The passage should be played as follows:

```T = together
L = left hand
R = right hand

first half-beat //  second half-beat
T R L R L R     //  T R R R
```

More precisely:

``````X:1
T:Chopin Prelude in F# Minor
T:Order of notes
K:F#min
M:C
L:1/32
[V:RH] "_T"C"_R"c"_R"G"_R"B"_T"A"_R"F"_R"D"_R"d
[V:LH clef=bass middle=d] (3"^T"a2"^L"c2"^L"f2"^T"F4
``````

For this and an excellent approach to practicing the piece, see "A Pedagogical Approach to Technique in Chopin's Preludes Op. 28" (Sheila Kay Barnhart, 2014, Ph.D. diss, West Virginia University, pp. 41-45).