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It's something that's puzzled me; The key that has no sharps and no flats, in essence the "basic" key, is C Major. Well, fine, but why C? Why not label that key and note A, if it's the foundation of the "basic" key of Western music? A second look, however, shows that A is indeed involved; the minor key with no sharps and flats is A minor.

That then leads to the question; does the pitch named A have that name because it is the start of the minor key, and because the minor key was more prevalent in plain chant as of the creation of written music notation? Or is there another reason?

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    possible duplicate of Why is C the base note of standard notation and keys? – American Luke Sep 14 '12 at 22:21
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    Keith, can you comment on whether the quest Luke links addresses this? I'm not totally sure. – Matthew Read Sep 17 '12 at 15:41
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    It is close enough that if I were a mod I'd consider this a dupe. The accepted answer from that question is that the assigning of letters to notes and the development of key signatures were not contemporary developments, and actually, neither were the introduction of Ionian and Aeolian modes. Like most human systems that have been around a sufficiently long time, we simply built and adapted one system atop an older one. – KeithS Sep 18 '12 at 18:18
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    The succinct answer is that C happened to be the starting note of the latin hymn "Ut queant laxis", which became the "natural" starting note of the hexachordal system used for Gregorian chant. As music theory evolved this remained a standard reference point. – KeithS Sep 18 '12 at 18:25
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    In fact, A was never the starting point of any key in the hexachordal system until the heptachordal system evolved and all seven modes (including Ionian/major and Aeolian/minor) were introduced. – KeithS Sep 18 '12 at 18:26
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The lowest note in the Greek scale was Proslambanomenos, an octave below the primary note, Mese. The eight notes between Proslambanomenos and Mese (inclusive) in the Greek diatonic genus form the A aeolian minor scale. This is probably why musicians chose to place A, the first letter, on both the lowest and most central note.

By the later Middle Ages, it became common to extend this scale downwards by one note to G, which was written with the Greek letter Gamma. Since (after the 10th c.) the first note of a scale was called Ut (now Do everywhere except in French string tuning), this note was called Gamma-Ut. Thus playing the whole scale from lowest to highest involves the whole "gamut" of music.

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