I come from a self-taughting background, so I'm sorry for any bad terminology in the question.

Some time ago, when learning Blind Willie Johnson - Nobody's fault but mine, I first practiced the slide guitar melody (the sharp notes). Once I had it down, it was time to add the bass line, which was simply alternating between octaves (6th and 4th open strings) on every beat.

Even with its simplicity, it was really hard to add the bass line because some of the notes would land between rests or in some "odd" places, like the melody wasn't completely in sync with the bass (which is probably one of the things that makes it sounds so nice). I ended up slowly figuring out where the bass notes were and after some practice I could get it. It felt like almost relearning the song, except I had practiced the slides already. I'd find out that there was a bass note somewhere, and would either change the pluck to include it or play it alone in the rests.

I was just worried that this approach is actually keeping me from creating some independence between my bass and melody in other songs, requiring me to do this whole process every time I have to learn a song with an "odd" bass line. I just imagine it's very hard to create independence between the thumb and the other fingers, since the plucking style kind of changes if you have to use the thumb at the same time or not (meaning they are not entirely separated).

Should I keep adding the bass lines that way? If not, what could I do to begin creating independence between the thumb and the other fingers? After that, will it feel natural to add bass lines to other songs?

  • its important to remember that lots of blues artists were awful at playing in time. John Lee Hooker was terrible and studios struggled to find a bad that could be loose with their time keeping to suit him. Moral: if it sounds good, go with it. – bigbadmouse May 21 '19 at 16:44

Syncopation (playing notes that fall between the beats) is very common in all styles of music and is a great technique to practice.

The way you are doing it is great. Learn the melody (what you are referring to as the "sharp notes" which you should avoid using because it will be confusing) first so you can play it, then work in the bass line (learning the bass line separately in between if needed). You will find that as you do this more it will take less time, seem familiar and get easier and easier. There are really only so many combinations of notes (rhythms anyway) that you can have (bass by itself followed by an off beat melody note : bass and melody together, etc) and once you get a feel for a few of those you will find that the coordination will work for other songs.

keep at it, it will get easier.

  • Thanks, I'll keep practicing that way then! I made some confusion by using the word "sharp", I forget that in English it's the word for the notes accident, when I actually mean't higher notes :p – IanC Aug 7 '18 at 1:16

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