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So I wanna extend the song by replacing the last two chords from 5 - 1 to 5 - 6 or 3M/3 - 6 (Does this make sense? Hehe). For example, in the key of C, I would like to repeat the song by replacing G7-C to G7-Am7 or E7/G#-Am7. Thing is I don't know what chord next to play before actually repeating the last line or 2 of the song--in the case of the example, a chord after Am7. Any idea?

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This V–vi motion is often called a "deceptive cadence" (or an "interrupted cadence" in British English). In most cases a deceptive cadence leads into what some call the "one-more-time technique" where the composer will "try again" to reach a V–I cadence.

The standard method of "trying again" is to move to a Predominant and restart the cadential process. As such, how about moving to IV or ii after the Am7?

This isn't the only method, but it is a standard one. You can even elaborate a motion to IV by moving from Am7 to a C7/G and then to IV, creating a nice 6–5–4 motion in the bass that smoothly leads to your IV. Alternatively, move from Am7 through A7/G to a Dm/F!

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  • Just the answer I was looking for. How about if the 4th (in this case F) becomes 2M/3 (in this case, D7/F#)?
    – tjvg1991
    Sep 24 '18 at 9:22
  • @tjvg1991 Completely fine, at which point that chord just becomes an applied dominant to V!
    – Richard
    Sep 24 '18 at 9:37
  • what can be the chord before that? C7/G? A7/G? @Richard
    – tjvg1991
    Sep 24 '18 at 9:45
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    @tjvg1991 A7/G would probably sound better.
    – Richard
    Sep 24 '18 at 10:03
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This will depend on what chord is at the beginning of the 'last line or 2' of the song. Pick a progression that leads into it nicely.

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