In typical blues using V7 IV7 I7 the blues scale can be used - and as I understand - without concern for avoid tones.
Can I do something similar over jazz iim7 V7 Imaj7?
I made this chart of chord tones for minor and major blues scales...
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MINOR BLUES SCALE CHORD TONES
R 3 5 7
1 ♭3 4 ♯4 5 ♭7 1 iim7 : - E♭ - B♭
B♭ D♭ E♭ E♮ F A♭ B♭ V7 : F (A♭) - E♭
IΔ7 : B♭ (D♭) F A
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MAJOR BLUES SCALE CHORD TONES
R 3 5 7
1 2 ♭3 ♮3 5 6 1 iim7 : C - G B♭
B♭ C D♭ D♮ F G B♭ V7 : F - C -
IΔ7 : B♭ D F (G)
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...and my thought is that I should be able to use the blues scale by using the matching chord tones as starting/target notes.
When I tried this last night, it seemed OK to me.
Is this approach used in jazz?
Is there another approach that is more typical from a jazz perspective?