I'm having a hard time on cleaning up following passages:
I've been messing around with grace notes, breath marks, but I don't seem to find the right combination to capture the spirit of the syncopated notes, yet make them more readable.
The intent is to have a grace note preceding a hard-stopped dyad, right in the middle of the quavers. I.e. it's about the rhythm not the exact timing.
Anybody got an idea how to turn this into something better?