I am currently interested in writing a piece in the natural minor mode, and it seems like "v - i" cadence does not quite work as well as compared to the harmonic / melodic minor modes, which use "V - i". How can I write a good cadence in the natural minor mode? Would "VII - i" work well?

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    I use that sometimes, especially for C minor, I find that Bb -> Cm gives enough of a cadential feel. I personally feel the opposite about the v -> i vs V -> i in the first 5 flat minors. In those minor keys, the dominant seventh gives me too much of an expectation for a major key resolution for it to really sound good to me in minor. On the other hand I find the v -> i works just as well in minor as the dominant 7th does in major despite lacking the leading tone. It keeps the minor feel while giving enough of a sense that it wants to resolve for the Bb -> C motion to work. – Caters Feb 25 at 3:26
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    Treating this modally would be different than treating it tonally. Modal pieces don't tend to have the same pull back to a tonic as tonal pieces, so cadences that establish a minor key tonality are likely to be different from cadences that establish a minor modality. I am tempted to suggest this question as a dupe, but I am not quite sure that it answers your question. – David Bowling Feb 25 at 3:58
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    Plagal works well (IV-I). – Jomiddnz Feb 25 at 4:32
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    @Jomiddnz But that's not part of natural minor. – user45266 Feb 25 at 4:39
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    ♭VI-♭VII-i is cool. i-♭VII-♭VII-v is also cool, like the Andalusian cadence but v instead of V. If you use that ♭VII chord and the v chord, it'll sound very strongly natural minor. i-iv-♭III-v shows how the iv degree is also very natural-minor-like. – user45266 Feb 25 at 4:43

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