I totally appreciate the nuances of Bansuri notation. And I am starting to notice subtle differences when practicing half-notes (i.e. Komal)
Is it best practice to use simple Bansuri fingering chart for practicing Saptak, i.e. Sa Re Ga Ma PA DHA NI SA
, regardless of experience level?
OR
Should all Bansuri musicians strive to follow advanced Bansuri fingering chart when practicing Saptak, including those who started practice 2 to 3 months ago.